Alex Garland’s head-spinning sci-fi thriller Annihilation is undoubtedly one of the most extraordinary movies of the year so far. One of the things that makes the film so great is the fact that the theatrical cut of the film is exactly what Garland had in mind while writing the script—well, save for one key sequence featuring Natalie Portman’s Lena and Jennifer Jason Leigh’s Dr. Ventress that got cut pretty early on during the film’s post-production phase.
“There was one sequence that we cut. A whole sequence got cut actually really early in the edit, and that just took like ten minutes off, just like that. But then the rest of it was really just about refining it, zeroing on in the intention in a scene and making it just tight,” Garland told Collider’s Steve Weintraub during a recent interview.
“Essentially what happens in the sequence is that Natalie Portman, quite early on in the film is locked in a sort of chamber where she first meets Dr. Ventress and when Ventress leaves, Natalie’s character Lena is stuck there and she escapes from that chamber and knocks out a guard, takes his gun, shoots her way through a glass door, makes her way through the facility and finally busts out and sees the shimmer for the first time,” he continued.
Garland mentioned that certain things will make sense when you’re reading a script, but when you actually see it visually, it immediately stops making sense. After discovering the problem, rather than reshooting the entire scene, Garland and his team decided to cleverly edit around it, saving them both time and money.
“You use the dialogue, you do a hard cut, you take a little bit of film where she’s walking in her escape but she’s slowed down, she’s not running at that point, she’s walking and you use that bit, you do another hard cut to her stepping out and seeing the shimmer for the first time. Then, the sequence is gone and it makes more logical character sense,” he added.
Annihilation also stars Gina Rodriguez, Tessa Thompson, Tuva Novotny, and Oscar Isaac, and is now playing in theaters.
How the hell do these ‘Spider-Man: Far From Home’ posters keep managing to get worse?
I really, really hate to keep bringing this up, but the Spider-Man: Far From Home posters are fucking atrocious. Every single one of them. Actually, maybe these ones weren’t all that bad. However, I would say that the vast majority of the one-sheets Sony has put out for this otherwise good-looking movie so far have been straight up hideous.
What’s even more baffling than the fact that someone is actually getting paid to design these things that look like they were created using Microsoft PowerPoint 2013 is that they somehow keep managing to get progressively worse and worse.
Case in point, take a look at this new poster Sony put out the other day to promote Spider-Man: Far From Home‘s release in IMAX:
I mean, they can’t be serious with this shit, right? What exactly is going on down there at the bottom with Samuel L. Jackson and Jake Gyllenhaal? Why does it look like they were copied and pasted in from some very poorly lit still images? And did they really need to throw in that gigantic blue rectangle around Spider-Man that completely throws off the whole red color scheme of the entire poster? I just have so many damn questions.
At this rate, I don’t know if I can take another bad Spider-Man: Far From Home poster. Please just make it stop.
Bradley Cooper might be replacing Leonardo DiCaprio in Guillermo del Toro’s ‘Nightmare Alley’
Fresh off his breakup with Irina Shayk that definitely didn’t have anything to do with Lady Gaga, Variety is reporting that Bradley Cooper is in talks to take on the leading role in Guillermo del Toro’s adaptation of Nightmare Alley.
While the talks are still early and nothing has been set in stone quite yet, Cooper is looking to play Stanton “Stan” Carlisle, a young and ambitious con man who joins forces with a female psychiatrist for a mentalist act only to realize that she’s even more corrupt than he is.
Indeed, this is the same role that Leonardo DiCaprio was attached to play just a couple of months ago, but the Once Upon a Time in Hollywood actor reportedly “ended up passing on the project after a deal could not be reached.”
Say what you will about Cooper, but there’s no denying that the guy is most definitely at the top of his game right now despite not having much luck this past awards season and I think a collaboration between him and Del Toro will make for one hell of an exciting project.
No word yet on when we can expect to see Nightmare Alley hit theaters, but production on the film is expected to get underway this fall, so a 2020 release date seems more than likely at this point assuming no delays get in the way of things.
Blumhouse is remaking Bob Clark’s horror classic ‘Black Christmas’ with Imogen Poots set to star
Folks, I’m happy to report that Christmas came early this year and, honestly, I couldn’t have asked for a better gift than this: a remake of the genre classic Black Christmas is coming our way via Blumhouse on December 13, 2019.
The latest remake of the Bob Clark classic is being directed Sophia Takal from a script she co-wrote along with April Wolfe and follows a group of sorority girls who are, one by one, being killed off by an unknown stalker at Hawthorne College.
However, as the film’s official logline so greatly puts it, “the killer is about to discover that this generation’s young women aren’t willing to become hapless victims as they mount a fight to the finish.”
Green Room star Imogen Poots will lead the film’s cast, which also includes the likes of Aleyse Shannon, Brittany O’Grady, Lily Donoghue, and Caleb Eberhardt. Jason Blum, the producer behind Jordan Peele’s Get Out and David Gordon Green’s Halloween, also serves as a producer here along with Ben Cosgrove and Adam Hendricks.
Notably, this will be one of the first Blumhouse features to be directed by a woman (the studio is also developing a remake of The Craft with Zoe Lister-Jones set to write and direct) and it’s also the second time Black Christmas is being remade.
As you may remember, Glen Morgan’s 2006 remake (which took on the abbreviated title of Black X-Mas) starred Katie Cassidy, Michelle Trachtenberg, and Mary Elizabeth Winstead, and was a complete and utter mess thanks to creative geniuses Bob and Harvey Weinstein, who had more than one issue with Morgan’s script.
Given everyone involved here, though, it seems to safe say that Blumhouse’s take on Black Christmas is going to be fucking great and I can’t wait to see it hit theaters on its very appropriate Friday the 13th release date later this year.
— Blumhouse (@blumhouse) June 13, 2019