Yes, the MPAA has indeed given Denis Villeneuve's 'Blade Runner 2049' an R-rating
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Yes, the MPAA has indeed given Denis Villeneuve’s ‘Blade Runner 2049’ an R-rating

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Denis Villeneuve’s long-awaited sequel to Ridley Scott’s sci-fi classic Blade Runner, appropriately titled Blade Runner 2049, will open in theaters in just two months time, and now we’ve finally learned the Motion Picture Association of America has rated the upcoming film starring Ryan Gosling and Harrison Ford.

According to a bulletin posted by the MPAA earlier today, Blade Runner 2049 has been given an R-rating for what is described as “violence, some sexuality, nudity, and language,” which shouldn’t come as too big of a surprise to fans of the original considering that it was also given the same rating in 1982.

While the Blade Runner sequel has been shrouded in secrecy since it first entered development at Alcon Entertainment in 2011, we do know that it takes place thirty years after the events of the original and follows a new blade runner, LAPD Officer K (Gosling), as he unearths a long-buried secret that has the power to plunge what’s left of society into complete and utter chaos, which ultimately leads him to cross paths with former blade runner Rick Deckard (Ford).

Villeneuve has enlisted top-tier talent to help him bring Blade Runner 2049 to life including legendary cinematographer Roger Deakins and composer Jóhann Jóhannsson, who we recently learned will be getting a helping hand from Hans Zimmer and Benjamin Wallfisch. In other words, even if this film doesn’t turn out to be that great, at least it will look and sound pretty fucking nice.

Blade Runner 2049 hits theaters on October 6, 2017.

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Paramount has picked up the rights to Scorsese and DiCaprio’s ‘Killers of the Flower Moon’

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Killers of the Flower Moon
JAMIE MCCARTHY/WIREIMAGE

Martin Scorsese and Leonardo DiCaprio are one step closer to reuniting with each other as Deadline is reporting that Paramount has just picked up the rights to Killers of the Flower Moon, which could be the next project Scorsese decides to tackle after he finishes The Irishman later this year.

Per the original report, Paramount has closed a deal for an unspecified sum to finance and distribute the film based on David Grann’s murder mystery novel of the same name set in 1920s Oklahoma “where the Osage Indians were granted revenue rights to oil discovered under their lands that was harvested by oil companies.”

“Suddenly, they began to get murdered as did those trying to investigate. “It came down to the newly created Bureau of Investigation, to overcome the corrupting influences from oil money and politics to solve the murder mystery, one that would bring the FBI to prominence.”

Dune and A Star Is Born co-writer Eric Roth wrote the screenplay for the project, which has had Scorsese attached as director and DiCaprio as the star and one of several producers since early 2017. Robert De Niro was rumored to be attached to star alongside DiCaprio at one point as well, but, unfortunately, that no longer seems to be the case here.

No word yet on when we can expect to see cameras start rolling on Killers of the Flower Moon as Scorsese is still knee-deep in the extensive level of post-production work needed on The Irishman, which is expected to hit Netflix and a handful of select theaters no later than the end of this year.

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Our first look at Greta Gerwig’s ‘Little Women’ is finally here and it’s absolutely incredible

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Little Women
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As if we weren’t already excited enough to see what Greta Gerwig has in store for us with her adaptation of Louisa May Alcott’s beloved novel Little Women, the first official images from the writer-director’s eagerly awaited Lady Bird follow-up debuted today in Vanity Fair and it just looks so damn good.

Perhaps even more personal to her than Lady Bird was, Little Women feels like somewhat of an autobiography to Gerwig, she says, and follows the lives of the March sisters—Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh), and Beth (Eliza Scanlan)—as they navigate their journies from childhood to womanhood in Civil War-era America.

“When you live through a book, it almost becomes the landscape of your inner life,” Gerwig explained to Vanity Fair. “It becomes part of you, in a profound way.”

In addition to Ronan, Little Women also reunites Gerwig with her other Lady Bird star Timothée Chalamet, who plays Laurie, “the literal boy next door who develops an intense friendship with Jo,” but it never blossoms into anything beyond that.

“I loved that in Lady Bird, he was the one that broke my heart, but I got to break his heart in Little Women,” Ronan said. Lady Bird finally got her revenge against Kyle, it seems.

Rounding out the film’s ensemble cast is Laura “I Will Not Not Be Rich” Dern as Margaret “Marmee” March, the girls’ mother, and Meryl “My Grief Is Too Loud For You?” Streep as Aunt March, their old and cranky rich aunt who often provides financial support for the family.

Little Women will hit theaters on December 25. You can check out the first official images from the film (via Vanity Fair) below.

Little Women

Little Women

Little Women

Little Women

Little Women

Little Women

Little Women

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Shocking: Max Landis is an abusive piece of shit who deserves to be blacklisted in Hollywood

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Max Landis
NICHOLAS HUNT/GETTY IMAGES

In a bombshell exposé published by The Daily Beast this morning, eight women detailed the emotional, physical, and sexual abuse that they suffered at the hands of Bright and Chronicle screenwriter Max Landis, which is not particularly surprising given the fact that we’ve heard about this kind of stuff about Landis before—but no one did anything about it.

Before we go any further, a quick warning: the exposé is disturbing, to say the least, and contains graphic descriptions of the aforementioned abuse. Reader discretion is most definitely advised. 

In one part of the story, an ex-girlfriend and former friend of Landis going by the name of Julie (some of the names used in the story are aliases so as to protect the anonymity of the victims) describes how she “didn’t realize that I had been raped consistently and deliberately by this man for two years until today, when I wrote it down.”

Julie, after detailing some of the emotional abuse Landis inflicted upon her, goes on to say, “He choked me until I passed out and did humiliating, degrading things to me that I still can’t manage to write out on paper.”

Another ex-girlfriend, Kerry, wrote about how Landis “choked me and told me he wanted to kill me. And I would wind up reassuring him that he wasn’t a monster when he felt bad about it. Because I felt bad that he was so sick.”

Ani Baker, who also had a romantic relationship with Landis at one point, described a similar event in which Landis snapped, put his hands around her throat, and got very close to her face, saying, “I will fucking kill you. Do you understand what I’m saying? I will fucking kill you.”

These are just a few of the very harrowing accounts Landis’ victims tell in the exposé and help paint a picture that shows who Landis truly is: a violent sexual abuser. You can read the piece by Daily Beast entertainment reporter by Amy Zimmerman in its entirety here. (Again, please keep in mind that the exposé contains graphic descriptions of abuse and you should only read it at your own discretion.)

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