Despite a sexual misconduct allegation from a man claiming the director raped him at the age of 17 and being fired from the production of Bohemian Rhapsody last December for a variety of different reasons, Bryan Singer is somehow managing to find work in the #MeToo era as THR reports the filmmaker is in negotiations to helm his next project.
According to the trade, the X-Men: Apocalypse director is in talks to direct Millennium’s Red Sonja, a film adaptation of the 1970s sword and sorcery Conan the Barbarian comic book spinoff created by Roy Thomas and Barry Windsor-Smith. Ashley Miller, who previously worked with Singer on X-Men: First Class, is writing the screenplay for the film.
Avi Lerner and Joe Gatta are producing Red Sonja for Millennium alongside Cinelou’s Mark Canton and Courtney Solomon with the intention of launching a new franchise that will build upon the same success Warner Bros. scored with Wonder Woman last summer. It’s unclear as to whether or not the studio had offered the directing gig to any female filmmakers before approaching Singer.
Millennium’s reasoning for deciding to work with Singer despite the director’s long, troubled history is that “none of the allegations seem to have merit,” according to one insider THR spoke to, and also the fact that Singer’s hiring would finally put the project, which has been stuck in development hell at the studio for more than a decade, on the fast-track to production.
Singer was fired from Bohemian Rhapsody last year after reportedly butting heads with star Rami Malek, who plays Queen lead singer Freddie Mercury in the film, over creative reasons and for being frequently absent from the set when he was needed. However, despite being replaced by Dexter Fletcher, Singer will be the only credited director on the project when it arrives in theaters later this year on November 2.
I want this terrible new poster for ‘Spider-Man: Far From Home’ to be framed and hung up on my wall
I don’t know what the hell is going on over at the Sony Pictures marketing department, but some graphic designer who is probably severely underpaid keeps making these god-awful movie posters and for whatever reason the studio is always just like, “Yeah, that looks good enough. Send it out.”
I mean, just take a gander at this new one-sheet they put out for Spider-Man: Far From Home earlier today:
Now, I love the Spider-Man franchise as much as the next guy and I love Tom Holland as Spider-Man and I hate to clown on things I love, but holy shit that poster is hilariously bad and I want it framed and put on the wall in front of my desk immediately so I can look up and laugh at it whenever I want.
All jokes aside, though, a poster is not indicative of a movie’s quality and I’m sure Far From Home is going to be just fine. Remember that very unfortunate international poster Sony released for Spider-Man: Homecoming back in 2017? Yeah, sorry I had to bring that up.
But, the point is, that poster looked like complete and utter shit and yet the movie turned out to be great and was critically acclaimed and went on to make a ton of money at the box office, and I’m sure that will also be the case for Far From Home when it hit theaters on July 2.
A bunch of new details about Christopher Nolan’s new movie ‘Tenet’ have just emerged
All aboard the hype train: Warner Bros. announced today that production is officially underway on Christopher Nolan’s new movie Tenet, which really isn’t a particularly exciting title, but, hey, we’ll take it. I’m just looking forward to seeing what Nolan has in store for us following the masterpiece that was Dunkirk in 2017.
According to a press release, Tenet is “an action epic evolving around the world of international espionage” that is being shot on location across seven different countries. A Christopher Nolan spy movie? That’s all I needed to know. I’m in, baby.
In addition to John David Washington, Robert Pattinson, and Elizabeth Debicki, the cast also now includes the likes of Dimple Kapadia, Aaron Taylor-Johnson, Clémence Poésy, Kenneth Branagh, and, of course, with this being a Nolan movie and all, Michael Caine.
Behind the scenes, Nolan is reteaming with DP Hoyte van Hoytema, production designer Nathan Crowley, costume designer Jeffrey Kurland, and VFX supervisor Andrew Jackson, while working with editor Jennifer Lame and Oscar-winning composer Ludwig Göransson for the first time.
Nolan has obviously assembled some of Hollywood’s best both in front of and behind the camera for his latest project and, as you could probably imagine, I’m hype as fuck and can’t wait to see how this thing turns out when it hits theaters next year on July 17.
Phoenix: Here’s your chance to see ‘Godzilla: King of the Monsters’ early and for free
Dying to see some monster on monster action? Then you’ll be pleased to learn that Warner Bros. is giving several of our very lucky Silver Screen Beat readers in Phoenix a chance to attend a free advance screening of Godzilla: King of the Monsters next week.
All you have to do is click on this link to enter to win passes (good for you and one guest) to see Godzilla: King of the Monsters at Harkins Arizona Mills in big, beautiful IMAX on Tuesday, May 28 at 7:00 p.m.
The sweepstakes are currently underway and winners will be selected and notified via email by 12:00 p.m. on Monday, May 27, so good luck! Below is the official trailer for Godzilla: King of the Monsters as well as some additional details about the film.
Directed by: Mike Dougherty
Cast: Millie Bobbie Brown, Vera Farmiga, Kyle Chandler, Charles Dance, O’Shea Jackson Jr., Sally Hawkins, and Ken Watanabe
Opens: Friday, May 31
Rating: PG-13 for sequences of monster action violence and destruction, and for some language
Synopsis: The new story follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species—thought to be mere myths—rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.