Christopher Nolan to present 70mm print of '2001: A Space Odyssey' at Cannes - Silver Screen Beat
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Christopher Nolan will present a 70mm print of ‘2001: A Space Odyssey’ at Cannes Film Festival

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2001: A Space Odyssey Cannes
WARNER BROS.

If you’re heading to the Cannes Film Festival in May, you’re going to be in for a very special treat: Christopher Nolan will be attending the 70th edition of the world’s most prestigious film gathering for the first time this year to present an unrestored 70mm cut of Stanley Kubrick’s 1968 sci-fi classic 2001: A Space Odyssey on Saturday, May 12.

“One of my earliest memories of cinema is seeing Stanley Kubrick’s 2001: A Space Odyssey in 70mm, at the Leicester Square Theatre in London with my father,” Nolan said in a statement. “The opportunity to be involved in recreating that experience for a new generation, and of introducing our new unrestored 70mm print of Kubrick’s masterpiece in all its analogue glory at the Festival de Cannes is an honour and a privilege.”

This 70mm print was struck from new printing elements made from the original camera negative and is untouched by any digital tricks, remastered effects, or revisionist edits. The film will be presented to what is sure to be a large crowd, with Kubrick’s daughter, Katharina Kubrick, and the filmmaker’s long-time producing partner, Jan Harlan, also in attendance.

“Stanley Kubrick in the official selection! It is a great honour for the Festival de Cannes to host the 50th anniversary celebration of one of the most extraordinary films in the history of cinema. And to welcome to the Festival for the first time Christopher Nolan, whose presence creates a precious bond between past and present, without which cinema would have no history,” said Cannes festival director Thierry Frémaux. “We are looking forward to this unique 70mm projection which will prove, if proof were necessary, that cinema was indeed invented for the big screen.”

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It’s about time Rotten Tomatoes finally decided to do something about its troll problem

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Rotten Tomatoes
FANDANGO MEDIA

It’s no secret that Rotten Tomatoes has a troll problem. It seemingly began back in 2017 when Star Wars: The Last Jedi was released and thousands upon thousands of (fake) negative audience reviews for the film flooded the site from people who dubbed it “SJW propaganda” or some other dumb shit like that.

Since then, a number of other movies have been review bombed on Rotten Tomatoes, including Black Panther, which was targeted by white nationalist alt-right trolls for obvious reasons, and Captain Marvel, which was targeted by a bunch of very sad men who were upset over Brie Larson saying she wanted the film’s press tour to be more inclusive.

In an effort to prevent any future films from being review bombed, Rotten Tomatoes finally announced today that it will be introducing “verified ratings” and “verified reviews” from users they can confirm actually bought tickets to the movie that they’re either rating or reviewing.

“We believe an Audience Score made up of these Verified Ratings is the most trustworthy measure of user sentiment we can offer right now – one that gives entertainment fans a genuine audience assessment of a movie they’re considering watching, and one which puts significant roadblocks in front of bad actors who would seek to manipulate the Audience Score,” the site wrote in a blog post.

For now, users can only verify their rating or review if they purchased their tickets through Fandango, which acquired Rotten Tomatoes from Warner Bros. in 2016 and will benefit greatly from this change, but the site says theater chains like AMC, Regal, and Cinemark “have signed up to participate in our verification program and we plan to introduce other ticket providers as well.”

The new verified ratings and reviews will go into effect this weekend for new releases like Aladdin, Brightburn, and Booksmart, the latter of which you should definitely go see because it’s probably the best thing you’ll watch so far this year.

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Linda Hamilton is back and ready to kick some robot ass in the ‘Terminator: Dark Fate’ trailer

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Terminator: Dark Fate
PARAMOUNT PICTURES

Gentle reader, I regret to inform you that the long-awaited first trailer for Terminator: Dark Fate arrived early this morning and, as much as I hate to say this, I have an obligation to break it you: this thing just doesn’t look very good at all.

Sure, it’s cool to see Linda Hamilton back as Sarah Connor firing giant machine guns and rocket launchers at seemingly indestructible robots and tracking down her old buddy T-800 Model 101, played by Arnold Schwarzenegger, who now lives in a cabin in the middle of the woods for whatever reason.

Beyond that, though, there’s not much to be particularly excited about here. The slowed-down cover of Bjork’s “Hunter” sucks, the set pieces look incredibly lame and uninspired, and the CGI is…well, just take a look at what they did to poor Gabriel Luna in this shot:

That looks pretty fucking bad, right? My dude looks like a straight up cartoon character there.

Keep in mind, Terminator 2: Judgement Day came out in 1991 (28 years ago!) and yet the visual effects work in these movies has somehow managed to get significantly worse since then. I mean, how does that even happen? It’s truly baffling.

Either way, this is a Terminator movie we’re talking about here, so of course I’m still going to Dark Fate when it hits theaters later this year on November 2, but I’m going to do so with great concern. Consider me cautiously optimistic at this point.

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Frame this terrible new ‘Spider-Man: Far From Home’ poster and hang it up on my wall immediately

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Spider-Man: Far From Home
SONY PICTURES

I don’t know what the hell is going on over at the Sony Pictures marketing department, but some graphic designer who is probably severely underpaid keeps making these god-awful movie posters and for whatever reason the studio is always just like, “Yeah, that looks good enough. Send it out.”

I mean, just take a gander at this new one-sheet they put out for Spider-Man: Far From Home earlier today:

Now, I love the Spider-Man franchise as much as the next guy and I love Tom Holland as Spider-Man and I hate to clown on things I love, but holy shit that poster is hilariously bad and I want it framed and put on the wall in front of my desk immediately so I can look up and laugh at it whenever I want.

All jokes aside, though, a poster is not indicative of a movie’s quality and I’m sure Far From Home is going to be just fine. Remember that very unfortunate international poster Sony released for Spider-Man: Homecoming back in 2017? Yeah, sorry I had to bring that up.

But, the point is, that poster looked like complete and utter shit and yet the movie turned out to be great and was critically acclaimed and went on to make a ton of money at the box office, and I’m sure that will also be the case for Far From Home when it hit theaters on July 2.

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