In Annabelle: Creation, it feels as though horror is being hearkened back to its glory days when the genre relied upon tension and suspense as opposed to predictable, cheap jump scares that leaves its audience feeling rather annoyed more than excited while walking out of the theater.
The latest installment in The Conjuring franchise, helmed by Lights Out director David F. Sandberg, who recently signed on to direct Shazam! for New Line and DC, chronicles the events that take place several years after the tragic, unexpected death of the daughter of a doll maker and his wife, who invite a nun and several girls from a shuttered orphanage into their seemingly normal home.
While it may play out in a rather conventional, by the books manner, Sandberg brings his unique style of filmmaking to a sequel that was to be dreaded by those were left disappointed by the first Annabelle movie. The scares are well-crafted, and Sandberg even incorporates a few easter eggs throughout what feels like a wildly fast-paced haunted house ride that only the biggest “ponysmasher” fans will be able to catch.
My conversation with Sandberg picks up a few moments after we chatted about this prank in Brazil, inspired by Annabelle: Creation. Here’s the full interview:
What was your initial reaction when New Line approached you to direct the Annabelle sequel?
They came to me during the post-production on Lights Out and they were very happy with how the film had turned out. And, you know, I had a very good experience working with them, but when they first asked if I wanted to direct the sequel to Annabelle, I was like, “Well, where are you going to take it? Is it just going to be the same movie again the way a lot of horror sequels are?” But then I was totally surprised to then read Gary Dauberman’s script and see that it was very different from the first movie. So, it really felt like something I could make my own.
It’s a very standalone movie, and you don’t even have to have seen the first one to see this one. You can even see the first one after and it still works. Plus, it’s a real period piece, and we got to build the whole house from scratch, it’s a mostly girl cast, which I thought was really cool, and there was just a lot of things that made me want to do it.
Yup, the kids in this movie were outstanding. Gabriel Bateman’s sister, Talitha Bateman, was especially good.
Yeah! But she didn’t just get the part. She auditioned several times and really proved how good she was. The casting was so important and we had so many girls that kept coming back. It takes so much work to find the perfect actress for the right role.
One of the best scenes in Annabelle: Creation is when one of the orphan girls is trapped in the barn and the light bulbs start unscrewing themselves from the ceiling. Was that moment inspired by your Attic Panic short at all?
Yes, absolutely. There was actually a different thing that was supposed to happen in the barn during that scene that was, you know, not as exciting. So, when the studio mentioned that they were going to do some additional photography and asked me if there was anything that I wanted to change or improve upon, I brought the idea to them. A lot of people who have seen Attic Panic told me, “Hey, you guys should do a feature film based on Attic Panic,” but I always thought that there was no story there. You just can’t make a feature out of that. So, instead, we decided to incorporate just that part into Annabelle.
It was really cool with the help of Hollywood-level people. In the short, I used CGI for the light bulb and everything, but it didn’t turn out great. This time around, I had an actual practical effects guy who made a remote controlled unscrewing light bulb and stuff like that, which looked really cool and Benjamin Wallfisch did a great recreation of the score I made for the short.
Seriously, the barn scene probably got the best reaction out of the audience at my screening. One of the other scenes that seemed to play really well was the ending—that very final scene.
You said you haven’t seen the first Annabelle movie, right?
No, I haven’t.
Yeah, that was a worry if people would be too confused by it, but it seems most people sort of are still OK with it. We actually cut into, those very last shots, is actually footage from the first Annabelle movie. So, you could actually just start Annabelle one right there and just have one really big, long movie. I thought that was really cool. But yeah, that was a worry, and we even considered test screening without that ending, as well, which we did. People who knew what that was, like, people who had seen the first Annabelle movie, really loved that ending so much.
I’m sure working on the set of a horror film has to be pretty exciting, but I’m sure it can also be a bit creepy at times with the weird props laying around and what not. Were there any creepy or unexplainable things that ever occurred on the set?
No, I mean, I was too busy directing most of the time, so I probably wouldn’t have even noticed. But, Stephanie Sigman, who plays Sister Charlotte, was a bit freaked out, so she actually asked to have the set of the movie blessed by a priest. She said, “I’m not touching any dolls!”
You recently confirmed that you’ll be directing Shazam! for New Line and DC. Do you think it’s going to be a bit of a challenge making the switch from the horror genre to the comic book genre?
I’m mostly just excited about trying something different, but I’ll definitely be making a return to horror at one point or another. I’m just really excited to try something different.
Timothée Chalamet is in final talks to play Paul Atreides in Denis Villeneuve’s ‘Dune’ adaptation
Timothée Chalamet is going from indie to blockbuster as the 21-year-old Oscar-nominee is in final talks to star in Denis Villeneuve’s sci-fi epic Dune, an adaptation of the best-selling novel of the same name written by Frank Herbert, Silver Screen Beat has learned.
According to Deadline, Chalamet will be playing Paul Atreides, the son of a noble family trying to avenge his father’s death while also trying to save a spice planet that he is entrusted to protect with his life. Kyle MacLachlan played the character in the David Lynch-directed 1984 original.
Villeneuve is directing the long-in-the-works project, which has been in development at Legendary since 2008, from a screenplay written by Oscar-winner Eric Roth. The director will also serve as a producer on the film alongside Mary Parent and Cale Boyter, while Brian Herbert, Byron Merritt, Thomas Tull, and Kim Herbert are executive producing.
For Chalamet, this is just another step in the right direction for the young actor, who picked up an Oscar-nomination for his outstanding breakout performance in Luca Guadagnino’s gay coming-of-age tale Call Me by Your Name back in January.
Chalamet is likely to garner some awards attention come this October when his latest film, Beautiful Boy, opens in theaters. Felix Van Groeningen directed the upcoming drama, which also stars Steve Carell, and chronicles the heartbreaking and inspiring experience of survival, relapse, and recovery in a family coping with addiction over many years.
‘Boy Erased’ trailer finds an Oscar-bound Lucas Hedges attending gay conversion therapy
Focus Features has released the first trailer for Boy Erased, the coming-of-age and coming-out drama from writer/director Joel Edgerton, based on the memoir of the same name written by Garrard Conley. The film features an impressive ensemble cast which includes Lucas Hedges, Nicole Kidman, Russell Crowe, and Edgerton.
The story follows Jared (Hedges), the son of a Baptist pastor in a small American town who is outed to his parents (Kidman, Crowe) at age 19 and is faced with an ultimatum: attend a conversion therapy program – or be permanently exiled and shunned by his family, friends, and faith.
Boy Erased, which is Edgerton’s second feature film as director following the 2015 sleeper hit The Gift, also stars Cherry Jones, Michael “Flea” Balzary, Xavier Dolan, Troye Sivan, Joe Alwyn, Emily Hinkler, Jesse LaTourette, David Joseph Craig, Théodore Pellerin, Madelyn Cline, and Britton Sear.
“I will always thank Garrard for trusting my passion for his life story,” Edgerton said in a statement last year when it was announced that Focus had acquired worldwide distribution rights to Boy Erased. “I can’t think of a better reason to get behind the camera again.”
Focus is set to release Boy Erased in select theaters just in time for the forthcoming awards season on November 2. You can check out the newly released trailer for the film below.
‘Downton Abbey’ movie set to begin production in September with the original cast returning
Focus Features chairman Peter Kujawski announced Friday morning that the long-awaited Downton Abbey movie is set to begin production this September with the original principal cast from the hit television series returning to reprise their respective roles.
According to a press release, Brian Percival, who directed the Downton Abbey pilot, is directing the film from a script written by Julian Fellowes, who created the award-winning series which picked up 15 Emmy Awards over the span of its six-season run.
Downton Abbey follows the lives of the elite Crawley family and the servants who worked for them at the turn of the 20th century in an Edwardian English country home. Michelle Dockery, Maggie Smith, and Hugh Bonneville all starred in the show.
“Since the series ended, fans of Downton have long been waiting for the Crawley family’s next chapter,” said in a statement. Kujawski. “We’re thrilled to join this incredible group of filmmakers, actors and craftspeople, led by Julian Fellowes and Gareth Neame, in bringing back the world of Downton to the big screen.”
The film will be a Carnival Films production, with Focus Features and Universal Pictures International handling distribution.
Adds Carnival’s executive chairman Gareth Neame, who is also producing the film: “When the television series drew to a close it was our dream to bring the millions of global fans a movie and now, after getting many stars aligned, we are shortly to go into production. Julian’s script charms, thrills and entertains and in Brian Percival’s hands we aim to deliver everything that one would hope for as Downton comes to the big screen.”
A release date for the Downton Abbey movie has not been announced, though it seems likely that we’ll see the film hit the big screen towards the backend of next year if production does, in fact, begin this September.
— Downton Abbey (@DowntonAbbey) July 13, 2018