Box office: 'Dunkirk' and 'The Emoji Movie' go head to head for No. 1 in tight race
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Box office: ‘Dunkirk’ and ‘The Emoji Movie’ go head to head for No. 1 in tight race

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Despite being one of the worst reviewed films of the year, The Emoji Movie, which currently has a 6% on review aggregator Rotten Tomatoes and an average rating of 2/10, the animated adventure is still managing to attract moviegoers after pulling in a respectable $10 million on Friday, beating out Dunkirk‘s $7.9 million, which is currently in its second week.

However, with The Emoji Movie and Dunkirk both tracking at $27 million, it’s a bit too early to say who will ultimately win the weekend box office, though Christopher Nolan’s WWII drama, whose PG-13 rating is able to draw in both the younger and older crowd, does have the slight upper hand at the moment.

As a flaming pile of animated garbage and the year’s first serious awards contender continue to battle it out for the top spot, the action-packed Atomic Blonde and the raunchy Girls Trip are going head to head for third place. The former isn’t living up to the expectations set forth by early forecasts, but it’s still doing exceptionally well with $7 million on Friday, while the latter followed close behind with $6 million. Though Atomic Blonde was able to come out as the clear winner on Friday, box office analysts say Girls Trip will top the espionage thriller $19 million to $18 million by Sunday evening.

At the lower end of the spectrum is Luc Besson’s visually stunning flop Valerian and the City of a Thousand Planets, which dropped nearly 63% this weekend, with $6.3 million, and Kathryn Bigelow’s latest effort Detroit, rolling out in limited release, with $394k.

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How the hell do these ‘Spider-Man: Far From Home’ posters keep managing to get worse?

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Spider-Man: Far From Home IMAX poster
SONY PICTURES

I really, really hate to keep bringing this up, but the Spider-Man: Far From Home posters are fucking atrocious. Every single one of them. Actually, maybe these ones weren’t all that bad. However, I would say that the vast majority of the one-sheets Sony has put out for this otherwise good-looking movie so far have been straight up hideous.

What’s even more baffling than the fact that someone is actually getting paid to design these things that look like they were created using Microsoft PowerPoint 2013 is that they somehow keep managing to get progressively worse and worse.

Case in point, take a look at this new poster Sony put out the other day to promote Spider-Man: Far From Home‘s release in IMAX:

I mean, they can’t be serious with this shit, right? What exactly is going on down there at the bottom with Samuel L. Jackson and Jake Gyllenhaal? Why does it look like they were copied and pasted in from some very poorly lit still images? And did they really need to throw in that gigantic blue rectangle around Spider-Man that completely throws off the whole red color scheme of the entire poster? I just have so many damn questions.

At this rate, I don’t know if I can take another bad Spider-Man: Far From Home poster. Please just make it stop.

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Bradley Cooper might be replacing Leonardo DiCaprio in Guillermo del Toro’s ‘Nightmare Alley’

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Bradley Cooper
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Fresh off his breakup with Irina Shayk that definitely didn’t have anything to do with Lady Gaga, Variety is reporting that Bradley Cooper is in talks to take on the leading role in Guillermo del Toro’s adaptation of Nightmare Alley.

While the talks are still early and nothing has been set in stone quite yet, Cooper is looking to play Stanton “Stan” Carlisle, a young and ambitious con man who joins forces with a female psychiatrist for a mentalist act only to realize that she’s even more corrupt than he is.

Indeed, this is the same role that Leonardo DiCaprio was attached to play just a couple of months ago, but the Once Upon a Time in Hollywood actor reportedly “ended up passing on the project after a deal could not be reached.”

Say what you will about Cooper, but there’s no denying that the guy is most definitely at the top of his game right now despite not having much luck this past awards season and I think a collaboration between him and Del Toro will make for one hell of an exciting project.

No word yet on when we can expect to see Nightmare Alley hit theaters, but production on the film is expected to get underway this fall, so a 2020 release date seems more than likely at this point assuming no delays get in the way of things.

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Blumhouse is remaking Bob Clark’s horror classic ‘Black Christmas’ with Imogen Poots set to star

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Black Christmas
BLUMHOUSE

Folks, I’m happy to report that Christmas came early this year and, honestly, I couldn’t have asked for a better gift than this: a remake of the genre classic Black Christmas is coming our way via Blumhouse on December 13, 2019.

The latest remake of the Bob Clark classic is being directed Sophia Takal from a script she co-wrote along with April Wolfe and follows a group of sorority girls who are, one by one, being killed off by an unknown stalker at Hawthorne College.

However, as the film’s official logline so greatly puts it, “the killer is about to discover that this generation’s young women aren’t willing to become hapless victims as they mount a fight to the finish.”

Green Room star Imogen Poots will lead the film’s cast, which also includes the likes of Aleyse Shannon, Brittany O’Grady, Lily Donoghue, and Caleb Eberhardt. Jason Blum, the producer behind Jordan Peele’s Get Out and David Gordon Green’s Halloween, also serves as a producer here along with Ben Cosgrove and Adam Hendricks.

Notably, this will be one of the first Blumhouse features to be directed by a woman (the studio is also developing a remake of The Craft with Zoe Lister-Jones set to write and direct) and it’s also the second time Black Christmas is being remade.

As you may remember, Glen Morgan’s 2006 remake (which took on the abbreviated title of Black X-Mas) starred Katie Cassidy, Michelle Trachtenberg, and Mary Elizabeth Winstead, and was a complete and utter mess thanks to creative geniuses Bob and Harvey Weinstein, who had more than one issue with Morgan’s script.

Given everyone involved here, though, it seems to safe say that Blumhouse’s take on Black Christmas is going to be fucking great and I can’t wait to see it hit theaters on its very appropriate Friday the 13th release date later this year.

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