Henry Golding is in talks to star in 'Snake Eyes' movie - Silver Screen Beat
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Please let Henry Golding show off all of his charm and handsomeness in the ‘Snake Eyes’ movie

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Henry Golding
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Well, here’s something I certainly have mixed feelings about: THR is reporting that Crazy Rich Asians heartthrob Henry Golding is in negotiations to star in Paramount’s G.I. Joe spinoff Snake Eyes, which will aim to tell the story of the mysterious sword-wielding ninja commando.

The movie, which was written by Evan Spiliotopoulos and is being directed by Robert Schwentke, will reportedly “center on Snake Eyes seeking revenge for his father’s death by joining [the] ninja clan, in the process finding acceptance.”

Let me be clear: my reservations with this project have absolutely positively nothing to do with Henry Golding, who is charming and handsome as hell, but the rather the fact that he’ll be playing a character who usually just wears a mask that covers his entire and doesn’t really have a whole lot to say.

My hope is that Spiliotopoulos’ script doesn’t stick too close to the source material and will allow Golding to have the opportunity to showcase all of those incredible qualities he has about himself, otherwise it seems like this project will be wasting such an immense talent. (I also just want an excuse to look at and be charmed by Henry Golding for two hours.)

Another thing I’m a little concerned about here is Schwentke’s involvement. The dude is more than capable of making a decent movie (e.g. The Captain, Red), but he always seems to fumble these big-budget studio projects (e.g. that godforsaken Divergent: Allegiant movie), but I suppose I’ll remain cautiously optimistic about this one for the time being — only because of Golding’s involvement, though.

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Phoenix: Warner Bros. invites you to a screening of Edward Norton’s ‘Motherless Brooklyn’

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Motherless Brooklyn
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Warner Bros. will release Motherless Brooklyn, the new crime drama from writer, director, and star Edward Norton, on October 19 and its giving Silver Screen Beat readers in Phoenix a chance to attend an advance screening of the film before it officially opens in theaters.

Our readers in Phoenix can click on this link right now to claim their free passes — good for you and one guest — to attend an advance screening of Motherless Brooklyn happening at Harkins Scottsdale 101 on Monday, October 28 at 6:30 p.m.

Keep in mind that these free passes are distributed on a first-come, first-served basis, so be sure to claim yours as soon as possible before they run out. Below is the official trailer for Motherless Brooklyn as well as some additional details about the film.

Directed by: Edward Norton

Cast: Edward Norton, Bruce Willis, Gugu Mbatha-Raw, Alec Baldwin, and Willem Dafoe

Opens: Friday, November 1

Rating: R for language throughout, including some sexual references, brief drug use, and violence

Synopsis: Set against the backdrop of 1950s New York, Motherless Brooklyn follows Lionel Essrog (Edward Norton), a lonely private detective living with Tourette Syndrome, as he ventures to solve the murder of his mentor and only friend, Frank Minna (Bruce Willis). Armed only with a few clues and the engine of his obsessive mind, Lionel unravels closely-guarded secrets that hold the fate of the whole city in the balance. In a mystery that carries him from gin-soaked jazz clubs in Harlem to the hard-edged slums of Brooklyn and, finally, into the gilded halls of New York’s power brokers, Lionel contends with thugs, corruption and the most dangerous man in the city to honor his friend and save the woman who might be his own salvation.

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Final trailer for ‘The Rise of Skywalker’ teases a bittersweet ending to a beloved saga

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Rise of Skywalker
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Disney has released the final trailer for Star Wars: The Rise of Skywalker, the latest chapter in the intergalactic franchise from writer-director J.J. Abrams that will — supposedly — mark the conclusion of the long-running Skywalker saga that began in 1977.

The Rise of Skywalker will see the return of much of the principal cast, including Daisy Ridley, Adam Driver, Mark Hamill, John Boyega, Oscar Isaac, Kelly Marie Tran, Joonas Suotamo, Anthony Daniels, as well as the late Carrie Fisher, who will appear in the film by way of unused footage from the 2015 film Star Wars: The Force Awakens.

“You can’t recast that part and you can’t suddenly have her disappear,” Abrams said at the Star Wars Celebration event in April. “The weird miracle of having a number of scenes from The Force Awakens that had got unused, looking at those scenes and starting to understand that there was actually a way to use those scenes and continue her story so that it would be her. The idea of having a CG character was off the table.”

The film will also see Ian McDiarmid reprise his role as the villainous Emperor Palpatine and Billy Dee Williams as the iconic scoundrel Lando Calrissian.

“In addition to being the end of three trilogies, it also has to work as its own movie,” Abrams also said. “It’s about this new generation and what they’ve inherited the light and the dark, and asking the question as they face the greatest evil, are they prepared? Are they ready?”

Star Wars: The Rise of Skywalker opens December 20.

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Sam Raimi reteaming with Columbia Pictures to direct, produce new untitled horror project

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Sam Raimi
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Columbia Pictures confirmed Friday that it has acquired the rights to an untitled horror project that is set to be directed and produced by Sam Raimi, making it the genre maestro’s first directorial effort on a horror film 2009’s Drag Me to Hell.

“I am thrilled to be reunited with Columbia Pictures and re-teaming with Sanford [Panitch] and Ange [Giannetti],” Raimi said in a statement. “I have been a fan of Shannon and Swift and we have found the perfect adventure to share with the world.”

While details about the project are being kept tightly under wraps, the film — which was written by Mark Swift and Damian Shannon, based on an original idea they conceived — is comparable to Misery and Cast Away in terms of its tone, according to The Hollywood Reporter.

Raimi and Zainab Azizi are producing the film via their Raimi Productions label, while Giannetti is overseeing the production for Columbia Pictures, which moved quickly to acquire the rights to the project before other studios even had a chance to make a bid on it.

Production on the film is expected to get underway in 2020.

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