'Jason Bourne' dominates with $60 million domestically, $109.9 million internationally - Silver Screen Beat
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‘Jason Bourne’ dominates with $60 million domestically, $109.9 million internationally

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UPDATE [Monday, August 1]: Jason Bourne dominated both the domestic and international box office during its opening weekend. The fourth installment in the beloved action franchise earned $60 million in the United States, while it rounded up a whopping $109.9 million overseas. Though it is the No. 1 film in the country right now, it will have to move over to make room for Suicide Squad this weekend, while is eyeing a massive debut between $135 million to $140 million.

Bad Moms debuted alongside Jason Bourne this weekend and earned a reported $23.8 million—which early forecasts accurately predicted. STX Entertainment needs this strong box office opening in-order to recoup for Free State of Jones which starred Matthew McConaughey and ultimately turned out to be a flop. Midweek release Nerve opened to $9.4 million during its first three days and went on to grow that total to $15.49 million for its five-day gross.

ORIGINAL STORY: The fourth installment in the Bourne franchise is looking to end the weekend with a whopping $61 million opening here in the United States. Universal’s Jason Bourne opened in 4,026 theaters on Friday and earned an estimated $23 million—coming in much higher than what was originally expected. Behind 2007’s The Bourne Ultimatum—which opened to $69.3 million—Jason Bourne will mark the second highest debut of any of the five films in the action franchise.

STX Entertainment opened their raunchy comedy Bad Moms in 3,215 theaters on Friday and took in about $9.6 million. Expected to finish the weekend with $22 million, Bad Moms is certainly a hit among 20 to 40 females. Nerve—the latest from Lionsgate—opened on Wednesday, but earned around $3.2 million from 2,538 screens on Friday. Nerve will most likely end the weekend with a total of $9 million.

Jason Bourne finds the CIA’s most lethal former operative drawn out of the shadows and back in action once again. Tommy Lee Jones, Alicia Vikander, Vincent Cassel, Julia Stiles and Riz Ahmed also star alongside Damon. The Bourne Identity, which was released in 2002, marks the first film in the franchise. The Bourne Supremacy, The Bourne Ultimatum and The Bourne Legacy—which starred Jeremy Renner—followed afterward.

TW LW Title (click to view) Studio Weekend Gross % Change Theater Count /Change Average Total Gross Budget* Week #
1 N Jason Bourne Uni. $59,215,365 4,026 $14,708 $59,215,365 $120 1
2 1 Star Trek Beyond Par. $24,754,339 -58.2% 3,928 $6,302 $106,474,717 $185 2
3 N Bad Moms STX $23,817,340 3,215 $7,408 $23,817,340 $20 1
4 2 The Secret Life of Pets Uni. $18,915,140 -36.1% 3,677 -371 $5,144 $296,882,885 $75 4
5 4 Ice Age: Collision Course Fox $10,988,839 -48.6% 3,997 +5 $2,749 $42,598,462 $105 2
6 3 Lights Out WB (NL) $10,803,331 -50.2% 2,835 +17 $3,811 $42,870,363 $4.9 2
7 5 Ghostbusters (2016) Sony $10,125,735 -51.8% 3,052 -911 $3,318 $106,497,206 $144 3
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Warner Bros.’ live-action ‘Barbie’ movie taps Greta Gerwig and Noah Baumbach as writers

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Greta Gerwig and Noah Baumbach Barbie
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As Greta Gerwig prepares to debut her sophomore effort Little Women on the fall festival circuit in the coming months, the Oscar-nominee has been tapped to co-write and possibly direct Warner Bros.’ live-action Barbie movie.

Gerwig will pen the script for Barbie along with Noah Baumbach, while Gerwig is also likely to helm the high-profile project, though negotiations are still underway and no deals have been finalized as of yet.

Margot Robbie, who is on board to star as the iconic Mattel toy, will also serve as a producer on the film along with Tom Ackerly for LuckyChap Entertainment and Robbie Brenner of Mattel Films. Josey McNamara and Ynon Kreiz are also producing.

Gerwig is currently in post-production on her star-studded Little Women adaptation for Columbia. The film, which is expected to be a strong contender in the forthcoming awards season race, stars Saoirse Ronan, Emma Watson, Florence Pugh, Timothée Chalamet, Laura Dern, and Meryl Streep.

Baumbach, who last directed The Meyerowitz Stories, is also in post-production on his untitled dramedy for Netflix starring Adam Driver and Scarlett Johansson as a couple who are getting divorced. The cast also includes Dern, Merritt Wever, Ray Liotta, Alan Alda, and Azhy Robertson.

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Damien Chazelle shops new project ‘Babylon’ to studios as Emma Stone circles lead role

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Damien Chazelle Babylon
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Damien Chazelle, the Oscar-winning writer-director of the 2016 musical La La Land, has begun shopping around the script for his next project titled Babylon, which is yet another story set in Los Angeles that will this time focus on the film industry in the 1920s.

While multiple studios have shown interest in the project — including Paramount and Netflix — Chazelle is most likely to bring Babylon to Lionsgate, the same studio that distributed La La Land and ran its extensive awards season campaign that earned the film a whopping 14 Oscar nominations.

Although specific plot details are being kept tightly under wraps for the time being, the film is said to be a drama set during the Roaring Twenties that examines Hollywood’s transition from silent films to talkies and will feature characters both fictional and not.

Emma Stone, who an Oscar for performance opposite Ryan Gosling in La La Land, is circling the lead role in the film — which is rumored to be iconic Hollywood “It” girl Clara Bow — though talks are still preliminary and any type of formal negotiations have yet to get underway.

Despite the attention that Babylon has caught, though, studios are hesitant to move on the project given its rather lengthy 180-page-long script and estimated $80 million to $100 million production budget, which some execs feel might be too big of a risky investment for their studios.

Chazelle, who last directed the Neil Armstrong biopic First Man starring Gosling, is currently working on two other projects in addition to Babylon, including the musical drama series The Eddy for Netflix and an untitled drama series for Apple’s forthcoming service service.

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Baz Luhrmann’s Elvis Presley biopic casts rising star Austin Butler as the King of Rock ‘n’ Roll

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Austin Butler
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After testing a number of high-profile actors last month — including Ansel Elgort, Harry Styles, Miles Teller, and Aaron Taylor-Johnson — Baz Luhrmann’s Elvis Presley biopic has found its King of Rock ‘n’ Roll in Austin Butler, Warner Bros. announced Monday.

The film, which will begin shooting early next year, was written by Luhrmann along with Craig Pearce and explores the life and music of Presley through the lens of his complicated relationship with his manager, Colonel Tom Parker, who is set to be played by Tom Hanks.

“I knew I couldn’t make this film if the casting wasn’t absolutely right, and we searched thoroughly for an actor with the ability to evoke the singular natural movement and vocal qualities of this peerless star, but also the inner vulnerability of the artist.  Throughout the casting process, it was an honor for me to encounter such a vast array of talent,” Luhrmann said in a statement.

He added, “I had heard about Austin Butler from his stand-out role opposite Denzel Washington in The Iceman Cometh on Broadway, and through a journey of extensive screen testing and music and performance workshops, I knew unequivocally that I had found someone who could embody the spirit of one of the world’s most iconic musical figures.”

Butler was recently on screen alongside Bill Murray and Adam Driver in Jim Jarmusch’s zombie comedy The Dead Don’t Die and can be seen next opposite Leonardo DiCaprio, Brad Pitt, and Margot Robbie in Quentin Tarantino’s thriller Once Upon a Time in Hollywood, which is due out later this month.

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