'The Batman' director Matt Reeves will not be using Ben Affleck's script, will start from scratch
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‘The Batman’ director Matt Reeves will not be using Ben Affleck’s script, will start from scratch

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With War for the Planet of the Apes in the bag, Matt Reeves can now shift his focus over to The Batman, which he signed on to direct and produce on the upcoming standalone action adventure centering on the beloved DC Comics superhero earlier this year, following the departure of Ben Affleck.

However, during a recent interview on MTV’s Happy Sad Confused podcast with host Josh Horowitz, Reeves revealed that he would not be using an earlier draft of the script that was penned by Affleck along with Argo scribe Chris Terrio and DC’s Geoff Johns. Here’s what he had to say:

“No, it’s a new story. It’s just starting again. I’m excited about it. I think it’s going to be really cool.”

What does this mean for The Batman? Well, for starters, this could mean that Joe Manganiello, who was cast as the villain Deathstroke, could no longer have a role in the film if Reeves decides he wants a completely different new set of characters in the story. In previous interviews, the director has described how he wants to do an “almost noir driven, detective version of Batman,” which, in all honesty, should sound quite appealing to any fan of the franchise.

As expected, the news of Reeves scrapping Affleck’s earlier draft came with plenty of speculation from movie and comic book fans alike on social media, many of them discussing whether or not it was even “good” to begin with. But, in this particular case, it doesn’t seem as though Reeves dropped the screenplay because he didn’t find it satisfactory. Anyone who is familiar with Reeves’ work knows that he is a director who enjoys creative freedom, and, much like Affleck, resonates with the character of Batman very deeply. Perhaps this not-so-shocking decision is one that will assure his vision comes to life once production begins more than anything else.

A release date for The Batman has not been announced.

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An eerie new trailer for ‘The Lighthouse’ is here to send you into a world of nautical madness

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The Lighthouse Directors' Fortnight
A24

One simple question arises in the latest trailer for Robert Eggers’ new film The Lighthouse, the “hypnotic and hallucinatory tale” starring Robert Pattinson and Willem Dafoe as two lighthouse keepers driving each other mad, and, quite frankly, it’s a pretty good one: “what?”

That one simple question pretty much sums up my feelings about The Lighthouse, which seems to be appealing to my very particular brand of weird with all these peculiar trailers where Robert Pattinson and Willem Dafoe go at each other’s throats and talk about spilling beans and shit.

Needless to say, all of the raves The Lighthouse has received over the past few months following its debuts at festivals like Cannes and, most recently, TIFF have also piqued my interest — right now the film boasts an impressive 94% on Rotten Tomatoes, based on 70 reviews.

I suppose we’ll find out what all the buzz is about when The Lighthouse hits theaters October 18.

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‘Joker’ just won the Golden Lion award at the 2019 Venice Film Festival, because of course it did

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Joker Venice Film Festival awards
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In its continuing effort to be the most bonkers fucking film festival on the planet, the Venice Film Festival jury has just selected Todd Phillips’ Taxi Driver/King of Comedy riff Joker as the recipient of this year’s Golden Lion award, while convicted rapist Roman Polanski received the second-place Grand Jury Prize for An Officer and a Spy.

Haifaa Al-Mansour and Shannon Murphy, the only two women directors who were selected to compete at Venice this year, both went home empty-handed, though Murphy’s Babyteeth star Toby Wallace did pick up the festival’s Young Actor award.

The complete list of 2019 Venice Film Festival winners is as follows:

Golden Lion
Joker; dir: Todd Phillips

Grand Jury Prize
An Officer And A Spy: dir: Roman Polanski

Silver Lion, Best Director
Roy Andersson; About Endlessness

Volpi Cup, Best Actress
Ariane Ascaride; Gloria Mundi

Volpi Cup, Best Actor
Luca Marinelli, Martin Eden

Best Screenplay
Yonfan; No. 7 Cherry Lane

Special Jury Prize
La Mafia Non E Più Quello Di Una Volta; dir: Franco Moresco

Marcello Mastroianni Award for for Best New Young Actor or Actress
Toby Wallace, Babyteeth

HORIZONS
Best Film
Atlantis; dir: Valentyn Vasyanovych

Best Director
Theo Court; Blanco En Blanco

Special Jury Prize
Verdict; dir: Raymund Ribay Guttierez

Best Actress
Marta Nieto; Madre

Best Actor
Sami Bouajila; A Son

Best Screenplay
Jessica Palud, Revenir

Best Short Film
Darling; dir: Saim Sadiq

LION OF THE FUTURE — LUIGI DE LAURENTIIS VENICE AWARD FOR A DEBUT FILM
You Will Die At 20; dir: Amjad Abu Alala

VENICE VIRTUAL REALITY
Best VR
The Key; dir: Céline Tricart

Best VR Experience
A Linha; dir: Ricardo Laganaro

Best VR Story
Daughters Of Chibok; dir: Joel Kachi Benson

VENICE CLASSICS
Best Documentary on Cinema
Babenco; dir: Barbara Paz

Best Restoration
Ecstasy; Gustav Machaty

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Deck the halls with…bloody murder? The trailer for Blumhouse’s remake of ‘Black Christmas’ is here

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Black Christmas
UNIVERSAL PICTURES

We were pretty jazzed to hear earlier this year that Blumhouse had begun production on a remake of Bob Clark’s 1974 slasher classic Black Christmas and now, just a few months later, we’re pleased to inform you that we have an official trailer for the film to accompany that incredible one-sheet they dropped a few months back.

Imogen Poots stars here as Riley Stone, leader of the Mu Kappa Epsilon sisters, who are preparing to throw a Christmas party as Hawthorne College quiets down for winter break. However, it isn’t long before one of them disappears at the hands of a black-masked stalker, who begins killing off sorority sisters around the campus one by one.

With the body count at Hawthorne rising, Riley and the Mu Kappa Epsilon sisters begin questioning whether they can trust any of the men in their lives, including their own boyfriends, crushes, and professors. “Whoever the killer is, he’s about to discover that this generation’s young women aren’t about to be anybody’s victims,” the film’s synopsis reads.

As excellent as director Sophia Takal’s update on Black Christmas looks, the trailer does seem to reveal quite a few different plot developments and twists, so if you’re sensitive to spoilers, it’s probably best to avoid the trailer for now so you don’t unintentionally ruin anything for yourself.

Black Christmas hits theaters on Friday, December 13, so mark your calendars accordingly, folks.

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