Patty Jenkins explains why she doesn't think 'Wonder Woman' needed to include a post-credits scene
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Patty Jenkins explains why ‘Wonder Woman’ didn’t need to include a post-credits scene

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It’s become a tradition for moviegoers attending a screening of a Marvel movie to stick around once the film is over to see what kind of goodies the post-credits scene has to offer. While the vast majority of DC movies have largely shied away from the implementation of a post-credits scene in an attempt to set themselves apart from their rival, many fans speculated that Patty Jenkins’ widely-acclaimed Wonder Woman would feature one, though that turned out not to be the case.

“I’m not always a believer in post-credit scenes. I feel like they make sense if the films are extremely similar,” Jenkins said during a recent interview with the Toronto Sun. I think if you know the next movie is going to be set in the same world or have the exact same tone, then I think it makes sense. To me, it does not make sense to have a commercial for a completely different style of movie in the credits of another movie.”

The director continued, “One of my favorite things about the DC Universe is they were super supportive of me doing my own tone, but there’s no other movie that they have that’s of the same tone. So it just felt weird to do some other crossover. Also, the end of the movie was the end. It wasn’t, ‘Tune in later for more.’”

As James Mangold pointed out when people questioned his decision not to include a post-credits scene in Logan, despite almost every other X-Men film in recent memory having one, it just didn’t need one. When you put it into perspective, that’s practically the same argument Jenkins is making with Wonder Woman, and it’s a damn good one if you ask me.

Wonder Woman is now available on Blu-ray and Digital HD. Wonder Woman 2 will see the return of director Jenkins and star Gal Gadot and is expected to be released on December 13, 2019.

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Dwayne Johnson, Emily Blunt set sail on an Amazonian adventure in Disney’s ‘Jungle Cruise’ trailer

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Jungle Cruise
DISNEY

Disney has released the first trailer for Dwayne Johnson and Emily Blunt‘s Jungle Cruise, which finds the beloved Disneyland ride of the same name brought to life in the vein of such films as Indiana Jones and The African Queen.

The film, directed by Jaume Collet-Serra, follows a charismatic riverboat captain (Johnson) and a determined explorer on a research mission (Blunt) as they set sail on an adventure-filled expedition through the Amazon-jungle in hopes of finding a tree that is believed to possess healing powers.

“We were just so moved, so honored to be in a movie like this because we both grew up just madly in love with Indiana Jones and obsessed with those kinds of movies,” Blunt said at the D23 Expo in August. “To be part of something like this, with this same spirit, makes my heart race.”

Added Johnson, “We wanted to make a movie that was big, that was epic, that had romance, big comedy, big action. But most important; it’s got me.”

In addition to Johnson and Blunt, the film’s ensemble cast also includes Jack Whitehall, Edgar Ramirez, Jesse Plemons, and Paul Giamatti.

John Davis, John Fox, Johnson, Hiram Garcia, Dany Garcia, and Beau Flynn produced the film, with Doug Merrifield serving as executive producer.

Jungle Cruise will sail into theaters on July 24, 2020.

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Disney-Pixar’s ‘Onward’ trailer finds Tom Holland, Chris Pratt summoning their dead father’s legs

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Onward
DISNEY/PIXAR

Disney and Pixar have released a new trailer for Onward, the upcoming animated feature starring Tom Holland and Chris Pratt as two teenage elf brothers, Ian and Barley Lightfoot, who embark on an extraordinary quest to discover if there is still a little magic out there.

And by magic, we’re talking like actual, literal magic. Set in a suburban fantasy world, Onward follows Ian and Barley as they try to summon their dead father back to life. Having never encountered magic before, though, the spell doesn’t completely work and only summons half their father — the bottom half, that is.

So, with their dad’s legs in tow, the boys set out on a road trip to try to find out how to bring the rest of him back to life, encountering all sorts of creatures, magical spells, and mysterious lands along the way.

The film, which was directed by Dan Scanlon and produced by Kori Rae, features a star-studded voice cast that also includes the likes of Julia Louis-Dreyfus as Ian and Barely’s mom, Laurel Lightfoot, and Octavia Spencer as the voice of the Manticore.

Onward will hit theaters on March 6, 2020.

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Phoenix: See Benedict Cumberbatch as Thomas Edison in ‘The Current War’ early and for free

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The Current War
101 STUDIOS

101 Studios will release The Current War, the epic story of the cutthroat competition that literally lit up the modern world, on October 25 and they’re giving Silver Screen Beat readers in Phoenix a chance to attend an advance screening of the film before it officially opens in theaters.

Our readers in the Phoenix area can click on this link right now to claim their free passes — good for you and one guest — to an advance screening of The Current War happening at Harkins Scottsdale 101 on Tuesday, October 22 at 7:00 p.m.

Keep in mind that these free passes are distributed on a first-come, first-served basis, so be sure to claim yours as soon as possible before they run out. Below is the official trailer for The Current War as well as some additional details about the film.

Directed by: Alfonso Gomez-Rejon

Cast: Benedict Cumberbatch, Michael Shannon, Katherine Waterston, Tom Holland, Tuppence Middleton, Matthew Macfayden, and Nicholas Hoult

Opens: Friday, October 25

Rating: PG-13 for some disturbing/violent images, and thematic elements

Synopsis: Benedict Cumberbatch is Thomas Edison, the celebrity inventor on the verge of bringing electricity to Manhattan with his radical new DC technology. On the eve of triumph, his plans are upended by charismatic businessman George Westinghouse (Michael Shannon), who believes he and his partner, the upstart genius Nikolai Tesla (Nicholas Hoult), have a superior idea for how to rapidly electrify America: with AC current. As Edison and Westinghouse grapple for who will power the nation, they spark one of the first and greatest corporate feuds in American history, establishing for future Titans of Industry the need to break all the rules.

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