Read Oprah Winfrey's moving Golden Globes acceptance speech in full
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Read the full transcript of Oprah Winfrey’s moving Cecil B. DeMille Award acceptance speech

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Oprah Winfrey
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At the 75th Golden Globes on Sunday, Oprah Winfrey became the first black woman to receive the Cecil B. DeMille Award from The Hollywood Foreign Press Association. However, it wasn’t the award people were talking about last night; it was Oprah’s magnificently inspiring speech that reminded girls around the world that a new day is indeed on the horizon, and that the Time’s Up movement is in full force. You can read a full transcript of Oprah’s acceptance speech below.

“Thank you, Reese. In 1964, I was a little girl sitting on the linoleum floor of my mother’s house in Milwaukee watching Anne Bancroft present the Oscar for best actor at the 36th Academy Awards. She opened the envelope and said five words that literally made history:” The winner is Sidney Poitier.” Up to the stage came the most elegant man I ever remembered. His tie was white, his skin was black—and he was being celebrated. I’d never seen a black man being celebrated like that. I tried many, many times to explain what a moment like that means to a little girl, a kid watching from the cheap seats as my mom came through the door bone tired from cleaning other people’s houses. But all I can do is quote and say that the explanation in Sidney’s performance in Lilies of the Field: “Amen, amen, amen, amen.” 

In 1982, Sidney received the Cecil B. DeMille award right here at the Golden Globes and it is not lost on me that at this moment, there are some little girls watching as I become the first black woman to be given this same award. It is an honor—it is an honor and it is a privilege to share the evening with all of them and also with the incredible men and women who have inspired me, who challenged me, who sustained me and made my journey to this stage possible. Dennis Swanson who took a chance on me for A.M. Chicago. Saw me on the show and said to Steven Spielberg, she’s Sophia in ‘The Color Purple.’ Gayle who’s been a friend and Stedman who’s been my rock. 

I want to thank the Hollywood Foreign Press Association. We know the press is under siege these days. We also know it’s the insatiable dedication to uncovering the absolute truth that keeps us from turning a blind eye to corruption and to injustice. To—to tyrants and victims, and secrets and lies. I want to say that I value the press more than ever before as we try to navigate these complicated times, which brings me to this: what I know for sure is that speaking your truth is the most powerful tool we all have. And I’m especially proud and inspired by all the women who have felt strong enough and empowered enough to speak up and share their personal stories. Each of us in this room are celebrated because of the stories that we tell, and this year we became the story. 

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But it’s not just a story affecting the entertainment industry. It’s one that transcends any culture, geography, race, religion, politics, or workplace. So I want tonight to express gratitude to all the women who have endured years of abuse and assault because they, like my mother, had children to feed and bills to pay and dreams to pursue. They’re the women whose names we’ll never know. They are domestic workers and farm workers. They are working in factories and they work in restaurants and they’re in academia, engineering, medicine, and science. They’re part of the world of tech and politics and business. They’re our athletes in the Olympics and they’re our soldiers in the military. 

And there’s someone else, Recy Taylor, a name I know and I think you should know, too. In 1944, Recy Taylor was a young wife and mother walking home from a church service she’d attended in Abbeville, Alabama, when she was abducted by six armed white men, raped, and left blindfolded by the side of the road coming home from church. They threatened to kill her if she ever told anyone, but her story was reported to the NAACP where a young worker by the name of Rosa Parks became the lead investigator on her case and together they sought justice. But justice wasn’t an option in the era of Jim Crow. The men who tried to destroy her were never persecuted. Recy Taylor died ten days ago, just shy of her 98th birthday. She lived as we all have lived, too many years in a culture broken by brutally powerful men. For too long, women have not been heard or believed if they dare speak the truth to the power of those men. But their time is up. Their time is up.

Their time is up. And I just hope—I just hope that Recy Taylor died knowing that her truth, like the truth of so many other women who were tormented in those years, and even now tormented, goes marching on. It was somewhere in Rosa Parks’ heart almost 11 years later, when she made the decision to stay seated on that bus in Montgomery, and it’s here with every woman who chooses to say, “Me too.” And every man—every man who chooses to listen. 

In my career, what I’ve always tried my best to do, whether on television or through film, is to say something about how men and women really behave. To say how we experience shame, how we love and how we rage, how we fail, how we retreat, persevere, and how we overcome. I’ve interviewed and portrayed people who’ve withstood some of the ugliest things life can throw at you, but the one quality all of them seem to share is an ability to maintain hope for a brighter morning, even during our darkest nights. So I want all the girls watching here, now, to know that a new day is on the horizon! And when that new day finally dawns, it will be because of a lot of magnificent women, many of whom are right here in this room tonight, and some pretty phenomenal men, fighting hard to make sure that they become the leaders who take us to the time when nobody ever has to say ‘Me too’ again.”

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Netflix releases a stunning first trailer for Alfonso Cuarón’s black-and-white family drama ‘Roma’

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Roma
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Ahead of the film’s debut at the 2018 Venice Film Festival, Netflix has released the stunning first trailer for Oscar-winning director Alfonso Cuarón’s black-and-white drama Roma, which is also set to play at the New York Film Festival and Toronto International Film Festival in the coming months.

Roma is set in Mexico City in the early 1970s and follows Cleo (Yalitza Aparicio), a young domestic worker for a family in the middle-class neighborhood of Roma in Mexico City. Delivering an artful love letter to the women who raised him, Cuarón draws on his own childhood to create a vivid and emotional portrait of domestic strife and social hierarchy amidst the political turmoil of the 1970s.

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“Ninety percent of the scenes represented in the film are scenes taken out of my memory,” Cuarón told IndieWire last month. “Sometimes directly, sometimes a bit more obliquely. It’s about a moment of time that shaped me, but also a moment of time that shaped a country. It was the beginning of a long transition in Mexico.”

After its run on the festival circuit later this year, Netflix will release Roma in theaters and on its streaming service in December. You can check out the trailer for the film below.

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Disney has no plans to reinstate James Gunn as director of ‘Guardians of the Galaxy Vol. 3’

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James Gunn
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Despite the strong support of nearly 400,000 fans via a Change.org petition and an open letter from the Guardians of the Galaxy cast themselves, Disney and Marvel have no plans to rehire James Gunn as the director of Guardians of the Galaxy Vol. 3 following his firing last month.

Variety reports that Gunn and Walt Disney Studios chairman Alan Horn recently met to discuss the firing, which came after old, offensive tweets the filmmaker wrote nearly a decade ago began to resurface as part of a smear campaign led by right-wing blogger and conspiracy theorist Mike Cernovich.

While the meeting was described as “civil and professional,” Horn only decided to take the meeting “as a courtesy to clear the air with Gunn” and was not considering giving him a second chance, despite the pleas of Gunn’s agents. Sources with insider knowledge say Marvel Studios president Kevin Feige was out of town at the time of the meeting and was unable to attend, but supports Horn’s decision not to reinstate Gunn.

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Earlier this month, the Guardians cast, including Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Karen Gillan, Sean Gunn, Pom Klementieff, and Michael Rooker, all signed an open letter in support of Gunn, who was set to begin production on the third installment in the critically acclaimed franchise early next year.

Bautista has been particularly vocal about Gunn’s firing on social media, writing in one tweet that he will do what he is contractually obligated to do with Disney, but “Guardians without James Gunn is not what I signed up for” and that “it’s also pretty nauseating to work for someone who’d empower a smear campaign by fascists.”

Guardians 3 is scheduled to be released May 1, 2020, but, depending on how long it takes Disney and Marvel to find a replacement for Gunn, that date could, and will most likely, change.

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YouTube forced to remove ‘The Nun’ jump-scare ad after getting complaints from terrified users

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The Nun Conjuring 2 YouTube
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On Monday, YouTube announced that it had removed a video advertisement for The Nun, the upcoming next installment in The Conjuring franchise, for being in violation of their shocking content policy. However, it appears the ad in question only came to the video-sharing site’s attention after scaring the bejesus out of some very unsuspecting users.

“Warning! If you see an ad on YouTube with the volume sign being turned down and nothing else, it’s a jump-scare for The Nun movie coming out,” one Twitter user wrote last week. “I advise you look away and or turn down the volume if you have anxiety or just straight up hate jump-scares.”

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Just a few days later, the official Twitter account for Team YouTube responded to the tweet, which has been retweeted more than 136,000 times since Sunday, saying that the advertisement was no longer running on their ad network.

The ad isn’t gone altogether from YouTube, though, as it has been reuploaded to the platform by dozens of users, one of which says they were “shook” after seeing the six-second clip at 3 a.m. one night. It begins with a volume icon going up and down against a black background before a horrifying, shrieking demonic-looking nun appears out of nowhere.

If you’re brave enough, you can check out the ad for yourself below. Don’t say we didn’t warn you, though.

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