After announcing last year that select categories will be presented during commercial breaks when the 91st Oscars air on ABC later this month, the Academy of Motion Picture Arts and Sciences revealed today the four categories that will be affected by this unfortunate break with tradition.
In an effort to keep the length of the Oscars telecast to three hours, the Academy says that cinematography, film editing, makeup and hairstyling, and live action short will be presented during commercial breaks, edited, and aired later in the broadcast.
“Viewing patterns for the Academy Awards are changing quickly in our current multi-media world, and our show must also evolve to successfully continue promoting motion pictures to a worldwide audience,” Academy president John Bailey wrote in a letter to members. “This has been our core mission since we were established 91 years ago—and it is the same today.”
He added, “The executive committees of six branches generously opted-in to have their awards presented in this slightly edited timeframe for this year’s show, and we selected four. In future years, four to six different categories may be selected for rotation.”
Sources tell The Hollywood Reporter that an example of what this new format will look like was shown to a number of different branches of the Academy and the reaction, surprisingly enough, seemed to be relatively positive despite initial concerns.
“It is said to have included most of the presentation, minus the winner’s walk to the stage,” writes THR. “The goal, they were told, was also to include the spirit of each winner’s acceptance speech, although the speeches could be edited if they turn into a long list of thank-yous.”
Some members who were shown the demo said that it “provided a respectful acknowledgment of the affected category.”
Final voting for the Oscars will begin on Tuesday, February 12, with the ceremony itself airing live from the Dolby Theatre in Los Angeles on Sunday, February 24 on ABC.
Phoenix: Warner Bros. invites you to a screening of Edward Norton’s ‘Motherless Brooklyn’
Warner Bros. will release Motherless Brooklyn, the new crime drama from writer, director, and star Edward Norton, on October 19 and its giving Silver Screen Beat readers in Phoenix a chance to attend an advance screening of the film before it officially opens in theaters.
Our readers in Phoenix can click on this link right now to claim their free passes — good for you and one guest — to attend an advance screening of Motherless Brooklyn happening at Harkins Scottsdale 101 on Monday, October 28 at 6:30 p.m.
Keep in mind that these free passes are distributed on a first-come, first-served basis, so be sure to claim yours as soon as possible before they run out. Below is the official trailer for Motherless Brooklyn as well as some additional details about the film.
Directed by: Edward Norton
Cast: Edward Norton, Bruce Willis, Gugu Mbatha-Raw, Alec Baldwin, and Willem Dafoe
Opens: Friday, November 1
Rating: R for language throughout, including some sexual references, brief drug use, and violence
Synopsis: Set against the backdrop of 1950s New York, Motherless Brooklyn follows Lionel Essrog (Edward Norton), a lonely private detective living with Tourette Syndrome, as he ventures to solve the murder of his mentor and only friend, Frank Minna (Bruce Willis). Armed only with a few clues and the engine of his obsessive mind, Lionel unravels closely-guarded secrets that hold the fate of the whole city in the balance. In a mystery that carries him from gin-soaked jazz clubs in Harlem to the hard-edged slums of Brooklyn and, finally, into the gilded halls of New York’s power brokers, Lionel contends with thugs, corruption and the most dangerous man in the city to honor his friend and save the woman who might be his own salvation.
Final trailer for ‘The Rise of Skywalker’ teases a bittersweet ending to a beloved saga
Disney has released the final trailer for Star Wars: The Rise of Skywalker, the latest chapter in the intergalactic franchise from writer-director J.J. Abrams that will — supposedly — mark the conclusion of the long-running Skywalker saga that began in 1977.
The Rise of Skywalker will see the return of much of the principal cast, including Daisy Ridley, Adam Driver, Mark Hamill, John Boyega, Oscar Isaac, Kelly Marie Tran, Joonas Suotamo, Anthony Daniels, as well as the late Carrie Fisher, who will appear in the film by way of unused footage from the 2015 film Star Wars: The Force Awakens.
“You can’t recast that part and you can’t suddenly have her disappear,” Abrams said at the Star Wars Celebration event in April. “The weird miracle of having a number of scenes from The Force Awakens that had got unused, looking at those scenes and starting to understand that there was actually a way to use those scenes and continue her story so that it would be her. The idea of having a CG character was off the table.”
The film will also see Ian McDiarmid reprise his role as the villainous Emperor Palpatine and Billy Dee Williams as the iconic scoundrel Lando Calrissian.
“In addition to being the end of three trilogies, it also has to work as its own movie,” Abrams also said. “It’s about this new generation and what they’ve inherited the light and the dark, and asking the question as they face the greatest evil, are they prepared? Are they ready?”
Star Wars: The Rise of Skywalker opens December 20.
Sam Raimi reteaming with Columbia Pictures to direct, produce new untitled horror project
Columbia Pictures confirmed Friday that it has acquired the rights to an untitled horror project that is set to be directed and produced by Sam Raimi, making it the genre maestro’s first directorial effort on a horror film 2009’s Drag Me to Hell.
“I am thrilled to be reunited with Columbia Pictures and re-teaming with Sanford [Panitch] and Ange [Giannetti],” Raimi said in a statement. “I have been a fan of Shannon and Swift and we have found the perfect adventure to share with the world.”
While details about the project are being kept tightly under wraps, the film — which was written by Mark Swift and Damian Shannon, based on an original idea they conceived — is comparable to Misery and Cast Away in terms of its tone, according to The Hollywood Reporter.
Raimi and Zainab Azizi are producing the film via their Raimi Productions label, while Giannetti is overseeing the production for Columbia Pictures, which moved quickly to acquire the rights to the project before other studios even had a chance to make a bid on it.
Production on the film is expected to get underway in 2020.