While some of the main talking points of Rogue One: A Star Wars Story have been about Alan Tudyk’s hilariously sassy droid K-2SO and the chemistry between Felicity Jones’ Jyn Erso and Diego Luna’s Cassian Andor, the biggest highlight seems to be how the film’s visual effects team were able to recreate Peter Cushing and Carrie Fisher using both live actors and digital animation.
Cushing’s Grand Moff Tarkin plays a significant role in Rogue One as he oversees the creation of the Death Star and enjoys bossing Ben Mendelsohn’s Orson Krennic around. Here’s the thing, though: Cushing died in 1994. However, thanks to the constantly evolving technology available to Industrial Light & Magic, they were able to resurrect Cushing from the dead using a mix of CGI and live actors paired with performance capture technology. The result? It’s actually quite impressive despite the noticeable fact that this isn’t necessarily a real actor give a genuine performance.
The process of recreating a 19-year-old Fisher as Princess Leia in Rogue One was fairly similar to what the visual effects team did for Cushing—the only thing to note is that Fisher was still very much alive and well during the production of the film and was able to see it for herself and give it a “thumbs up,” as executive producer John Knoll said.
If you’re one of the few that haven’t experienced the epicness that is Rogue One, it is the first of the standalone Star Wars movies and follows a group of unlikely heroes who join forces together on a mission to steal top-secret plans to the Death Star, the Empire’s ultimate weapon of destruction. The film has grossed over $800 million worldwide.
Rogue One, which has grossed a whopping $800 million worldwide since its debut on December 16, was written by Chris Weitz and Tony Gilroy and also stars Diego Luna, Donnie Yen, Mads Mikkelsen, Alan Tudyk, Riz Ahmed, Jiang Wen, and Forest Whitaker.
Phoenix: Warner Bros. invites you to a screening of Edward Norton’s ‘Motherless Brooklyn’
Warner Bros. will release Motherless Brooklyn, the new crime drama from writer, director, and star Edward Norton, on October 19 and its giving Silver Screen Beat readers in Phoenix a chance to attend an advance screening of the film before it officially opens in theaters.
Our readers in Phoenix can click on this link right now to claim their free passes — good for you and one guest — to attend an advance screening of Motherless Brooklyn happening at Harkins Scottsdale 101 on Monday, October 28 at 6:30 p.m.
Keep in mind that these free passes are distributed on a first-come, first-served basis, so be sure to claim yours as soon as possible before they run out. Below is the official trailer for Motherless Brooklyn as well as some additional details about the film.
Directed by: Edward Norton
Cast: Edward Norton, Bruce Willis, Gugu Mbatha-Raw, Alec Baldwin, and Willem Dafoe
Opens: Friday, November 1
Rating: R for language throughout, including some sexual references, brief drug use, and violence
Synopsis: Set against the backdrop of 1950s New York, Motherless Brooklyn follows Lionel Essrog (Edward Norton), a lonely private detective living with Tourette Syndrome, as he ventures to solve the murder of his mentor and only friend, Frank Minna (Bruce Willis). Armed only with a few clues and the engine of his obsessive mind, Lionel unravels closely-guarded secrets that hold the fate of the whole city in the balance. In a mystery that carries him from gin-soaked jazz clubs in Harlem to the hard-edged slums of Brooklyn and, finally, into the gilded halls of New York’s power brokers, Lionel contends with thugs, corruption and the most dangerous man in the city to honor his friend and save the woman who might be his own salvation.
Final trailer for ‘The Rise of Skywalker’ teases a bittersweet ending to a beloved saga
Disney has released the final trailer for Star Wars: The Rise of Skywalker, the latest chapter in the intergalactic franchise from writer-director J.J. Abrams that will — supposedly — mark the conclusion of the long-running Skywalker saga that began in 1977.
The Rise of Skywalker will see the return of much of the principal cast, including Daisy Ridley, Adam Driver, Mark Hamill, John Boyega, Oscar Isaac, Kelly Marie Tran, Joonas Suotamo, Anthony Daniels, as well as the late Carrie Fisher, who will appear in the film by way of unused footage from the 2015 film Star Wars: The Force Awakens.
“You can’t recast that part and you can’t suddenly have her disappear,” Abrams said at the Star Wars Celebration event in April. “The weird miracle of having a number of scenes from The Force Awakens that had got unused, looking at those scenes and starting to understand that there was actually a way to use those scenes and continue her story so that it would be her. The idea of having a CG character was off the table.”
The film will also see Ian McDiarmid reprise his role as the villainous Emperor Palpatine and Billy Dee Williams as the iconic scoundrel Lando Calrissian.
“In addition to being the end of three trilogies, it also has to work as its own movie,” Abrams also said. “It’s about this new generation and what they’ve inherited the light and the dark, and asking the question as they face the greatest evil, are they prepared? Are they ready?”
Star Wars: The Rise of Skywalker opens December 20.
Sam Raimi reteaming with Columbia Pictures to direct, produce new untitled horror project
Columbia Pictures confirmed Friday that it has acquired the rights to an untitled horror project that is set to be directed and produced by Sam Raimi, making it the genre maestro’s first directorial effort on a horror film 2009’s Drag Me to Hell.
“I am thrilled to be reunited with Columbia Pictures and re-teaming with Sanford [Panitch] and Ange [Giannetti],” Raimi said in a statement. “I have been a fan of Shannon and Swift and we have found the perfect adventure to share with the world.”
While details about the project are being kept tightly under wraps, the film — which was written by Mark Swift and Damian Shannon, based on an original idea they conceived — is comparable to Misery and Cast Away in terms of its tone, according to The Hollywood Reporter.
Raimi and Zainab Azizi are producing the film via their Raimi Productions label, while Giannetti is overseeing the production for Columbia Pictures, which moved quickly to acquire the rights to the project before other studios even had a chance to make a bid on it.
Production on the film is expected to get underway in 2020.