It appears early estimates were correct in the case of Logan as Hugh Jackman’s final outing as the iconic Wolverine character tore up the weekend box office with a massive $85.3 million opening despite its hard R-rating. With films such as Deadpool and Logan veering away from the typical comic book movie fare, it should be interesting to see if other studios such as Warner Bros. and Disney follow suit and take a risk by creating something much more violent and aggressive with their respective properties.
Perhaps Logan‘s early critical acclaim and strong marketing campaign contributed to the success it saw this weekend, but it should be worth noting that fans had been longing for an X-Men movie of this kind of quite some time now. In January, it was announced that the MPAA had given Logan an R-rating for strong brutal violence, language throughout, and brief nudity, rightfully so. The film, which seems to be more of a modern western than anything else, proves the point that movie and comic book fans alike will flock to the theater no matter how far it stands out from the rest of the crowd. While we’ll continue to still love the likes of The Avengers and Iron Man, Logan was a breath of fresh air that the genre so desperately needed.
Logan takes place just after the events of X-Men: Days of Future Past and finds Jackman’s character caring for an ailing Professor X, played by Patrick Stewart, in a hideout somewhere along the Mexican border. However, Logan’s attempts to hide from the world and the legacy he left behind are upended when a young mutant named Laura Kinney, played by newcomer Dafne Keen, comes along as she is being pursued by dark forces lead by Boyd Holbrook’s main antagonist.
James Mangold directed Logan from a screenplay he co-wrote along with Michael Green and Scott Frank, based on a story he created with David James Kelly. The film also stars Richard E. Grant and Stephen Merchant and was produced by Hutch Parker, Simon Kinberg, and Lauren Shuler Donner.
Oscars: 159 films submitted for consideration in Best Documentary Feature category
The Academy of Motion Picture Arts & Sciences released Monday a list of the 159 documentary features that have been submitted for consideration for the 92nd annual Academy Awards.
Tamara Kotevska and Ljubo Stefanov’s Honeyland, Julia Reichert and Steven Bognar’s American Factory, Todd Douglas Miller’s Apollo 11, Penny Lane’s Hail Satan?, Nanfu Wang and Jialing Zhang’s One Child Nation, and Emily Taguchi and Jake Lefferman’s After Parkland are among the titles that were submitted.
However, several of the documentaries on the list have not yet had their required Los Angeles and New York qualifying releases and will need to do so in order to advance in the voting process, per Academy rules.
A shortlist of the 15 films selected for the Best Documentary Feature category will be released December 16, while the nominations for the 92nd Academy Awards will be announced January 13.
The submitted features, listed in alphabetical order, are as follows:
“Always in Season”
“The Amazing Johnathan Documentary”
“Angels Are Made of Light”
“Ask Dr. Ruth”
“At the Heart of Gold: Inside the USA Gymnastics Scandal”
“Bethany Hamilton: Unstoppable”
“The Biggest Little Farm”
“The Black Godfather”
“Blink of an Eye”
“Blue Note Records: Beyond the Notes”
“The Boy Band Con: The Lou Pearlman Story”
“Bridges of Time”
“The Bronx USA”
“Buddha in Africa”
“Call Me Intern”
“Carmine Street Guitars”
“The Cold Blue”
“Cold Case Hammarskjold”
“The Cordillera of Dreams”
“David Crosby: Remember My Name”
“The Disappearance of My Mother”
“Don’t Be Nice”
“Echo in the Canyon”
“The Edge of Democracy”
“The Elephant Queen”
“Ernie & Joe: Crisis Cops”
“Fiddler: A Miracle of Miracles”
“Finding the Way Home”
“For the Birds”
“The Fourth Kingdom. The Kingdom of Plastics”
“Framing John DeLorean”
“Fyre: The Greatest Party That Never Happened”
“The Game Changers”
“Gay Chorus Deep South”
“The Gift: The Journey of Johnny Cash”
“The Gospel of Eureka”
“The Great Hack”
“Hate among Us”
“Heading Home: The Tale of Team Israel”
“Heimat Is a Space in Time”
“The Hottest August”
“I Had a Dream”
“The Inventor: Out for Blood in Silicon Valley”
“It’s a Hard Truth Ain’t It”
“Jim Allison: Breakthrough”
“Joseph Pulitzer: Voice of the People”
“Knock Down the House”
“Letter to the Editor”
“Liberty: Mother of Exiles”
“Linda Ronstadt: The Sound of My Voice”
“M for Malaysia”
“Making Waves: The Art of Cinematic Sound”
“Marianne & Leonard: Words of Love”
“Mike Wallace Is Here”
“Miles Davis: Birth of the Cool”
“Moonlight Sonata: Deafness in Three Movements”
“The Most Dangerous Year”
“My Home India”
“My Name Is Daniel”
“On the President’s Orders”
“One Child Nation”
“Prosecuting Evil: The Extraordinary World of Ben Ferencz”
“The Quiet One”
“Raise Hell: The Life and Times of Molly Ivins”
“Recorder: The Marion Stokes Project”
“The River and the Wall”
“Roll Red Roll”
“Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese”
“Running with Beto”
“The Russian Five”
“Satan & Adam”
“Sea of Shadows”
“The Serengeti Rules”
“Shooting the Mafia”
“The Spy behind Home Plate”
“Super Size Me 2: Holy Chicken”
“Talking about Trees”
“Tell Me Who I Am”
“This Changes Everything”
“This One’s for the Ladies”
“To Be of Service”
“Toni Morrison: The Pieces I Am”
“True Justice: Bryan Stevenson’s Fight for Equality”
“A Tuba to Cuba”
“Walking on Water”
“What She Said: The Art of Pauline Kael”
“What You Gonna Do When the World’s on Fire?”
“When Lambs Become Lions”
“When Tomatoes Met Wagner”
“Where’s My Roy Cohn?”
“Who Will Write Our History”
“Woodstock: Three Days That Defined a Generation”
Paul Thomas Anderson’s new film, a ’70s-set high school drama, will begin shooting next year
Paul Thomas Anderson’s untitled next project — a high school movie set in the 1970s — is expected to begin shooting in the director’s hometown of the San Fernando Valley of Los Angeles early next year, Silver Screen Beat has learned.
Anderson is writing and directing the film, which centers on a high school student who is also a successful child actor and “features a multitude of roles and could be ensemble in nature or have intersecting storylines,” according to The Hollywood Reporter.
The director is currently in the process of casting the film’s lead ahead of a scheduled February 2020 production start. The project is one of 13 films that were selected to receive the latest round of tax credits from the California Film Commission this month.
Anderson, who grew up in the San Fernando Valley, has shot three of his films in the Los Angeles County region, including 1997’s Boogie Nights, 1999’s Magnolia, and 2002’s Punch-Drunk Love.
Anderson’s last film, Phantom Thread starring Paul Thomas Anderson and Vicky Krieps, was lauded as one of the best films of 2017, earning several Oscar nominations and winning for Best Costume Design.
Phoenix: Sony Pictures invites you to a screening of ‘A Beautiful Day in the Neighborhood’
Sony Pictures will release A Beautiful Day in the Neighborhood, the new Mister Rogers biopic starring Tom Hanks, on November 15 and it’s giving Silver Screen Beat readers in Phoenix a chance to attend an advance screening of the film before it officially opens in theaters.
Our readers in Phoenix can click this link right now to claim their free passes — good for you and one guest — to attend an advance screening of A Beautiful Day in the Neighborhood happening Wednesday, November 13 at Harkins Camelview at 7:00 p.m.
(Those who attend tomorrow evening’s screening are encouraged to bring with them a sweater or coat to donate as the studio will be hosting a coat drive on-site).
Keep in mind that these free passes are distributed on a first-come, first-served basis, so be sure to claim yours as soon as possible before they run out. Below is the official trailer for A Beautiful Day in the Neighborhood as well as some additional details about the film.
Directed by: Marielle Heller
Cast: Tom Hanks, Matthew Rhys, Susan Kelechi Watson, and Chris Cooper
Opens: Friday, November 22
Rating: PG for some strong thematic material, a brief fight, and some mild language
Synopsis: Tom Hanks portrays Mister Rogers in A Beautiful Day in the Neighborhood, a timely story of kindness triumphing over cynicism, based on the true story of a real-life friendship between Fred Rogers and journalist Tom Junod. After a jaded magazine writer (Matthew Rhys) is assigned a profile of Fred Rogers, he overcomes his skepticism, learning about empathy, kindness, and decency from America’s most beloved neighbor.