The 25 jurors — described as “celebrated and revered expert voices across film, art, culture, and science” — will help choose which feature-length and short films to award at this year’s Sundance Film Festival, which begins next week.
The festival’s short film awards ceremony will be held January 28, while awards for feature-length films will be handed out during a separate ceremony scheduled to take place on February 1.
You can check out the complete list of 2020 Sundance Film Festival jury members and their bios below:
U.S. DRAMATIC JURY
Rodrigo Garcia’s films include the award-winning Nine Lives, Albert Nobbs, Mother and Child, and Things You Can Tell Just by Looking at Her. His television credits include the pilots of In Treatment, Carnivàle, Big Love, Bull, and the upcoming Party of Five series reboot. García is co-CEO of the digital studio Indigenous Media, which produced the series Five Points, Lauren, and Blue.
Ethan Hawke has starred in over 60 films, including Training Day, Before Sunrise (1995 Sundance Film Festival), and Boyhood (2014 Sundance Film Festival), which garnered Hawke one of his four Academy Award nominations. Recently, he won a Gotham Award, an Independent Spirit Award, and over 20 film critics’ awards for his performance in First Reformed. Besides an on-screen actor, he is a director, an Academy Award–nominated screenwriter, a Tony Award–nominated stage actor, and a novelist.
Writer/director Dee Rees is the first Black woman nominated for an Academy Award in the Best Adapted Screenplay category, for her highly acclaimed film Mudbound (2018). Her previous credits include the multiple-Emmy-winning film Bessie (2014) and her Film Independent Spirit Award– and Gotham Award–winning debut feature, Pariah (2011). Her latest film, The Last Thing He Wanted, is an adaptation of the Joan Didion novel and stars Anne Hathaway as veteran DC journalist Elena McMahon.
Isabella Rossellini has appeared in numerous films, including Il prato (The Meadow), Blue Velvet, Cousins, Death Becomes Her, and Joy. Her award-winning series of shorts—Green Porno, Seduce Me, and Mammas—offer comical and scientifically insightful studies of animal behavior. She recently toured with her latest theatrical show, Link Link Circus. Rossellini also works to preserve the films of her father and mother, Roberto Rossellini and Ingrid Bergman, and runs an organic farm in Brookhaven.
Wash Westmoreland and Richard Glatzer’s feature Quinceañera premiered at the 2006 Sundance Film Festival, winning both the U.S. Dramatic Audience Award and Grand Jury Prize. Their feature Still Alice won a BAFTA Award and a Golden Globe and earned Julianne Moore her first Academy Award. After Glatzer’s passing, Westmoreland directed the acclaimed Colette (2018 Sundance Film Festival) and the psychological drama Earthquake Bird. Originally from Leeds, England, Westmoreland currently lives in Los Angeles, California.
U.S. DOCUMENTARY JURY
Kimberly Reed’s Dark Money (2018 Sundance Film Festival) was named one of Vogue’s “66 best documentaries of all time,” nominated for four Critics’ Choice Awards and the IDA Documentary Award for Best Documentary, awarded the Alfred I. duPont–Columbia University Award, and shortlisted for an Academy Award. Prodigal Sons, the first documentary by a transgender filmmaker to be theatrically released, won 14 international awards. Reed is also one of Filmmaker magazine’s “25 new faces of independent film.”
Rachel Rosen is the director of programming for SFFILM, which presents the annual San Francisco International Film Festival, where she also served as the associate director of programming. She spent eight years as the director of programming for Film Independent and the LA Film Festival and has worked in various capacities for the New York Film Festival, New York’s Film Forum, and TriStar Pictures. She holds an MA in communications from the documentary film program at Stanford University.
Courtney Sexton is senior vice president for CNN Films. Sexton works day to day with filmmakers to supervise the production of documentary films for theatrical exhibition and distribution across CNN’s platforms. Since Sexton joined CNN Films, the team has acquired or commissioned more than 45 original feature and short films. Sexton’s recent work includes Apollo 11, RBG, Three Identical Strangers, Linda Ronstadt: The Sound of My Voice, Halston, and Scandalous.
E. Chai Vasarhelyi
Elizabeth Chai Vasarhelyi is an Academy Award–winning filmmaker, known for Free Solo, which earned a BAFTA Award, the 2018 Academy Award for Best Documentary Feature, and seven Emmys. Her other films include Meru (shortlisted for a 2016 Academy Award ; won the U.S. Documentary Audience Award at the 2015 Sundance Film Festival), Incorruptible, A Normal Life, and Touba. She has received grants from Sundance Institute, the Ford Foundation, and the National Endowment for the Arts.
Noland Walker is vice president of content at ITVS and oversees the cultivation of independent documentary films for the award-winning public media series Independent Lens, POV, American Masters, America ReFramed, and others. He also steers ITVS’s content partnerships and field-relations strategies. Walker’s documentary credits include award-winning films such as Africans in America, Citizen King, Jonestown: The Life and Death of Peoples Temple, and Boogie Man: The Lee Atwater Story.
WORLD CINEMA DRAMATIC JURY
Haifaa Al Mansour
Haifaa Al Mansour finished her bachelor’s degree in literature at the American University in Cairo and a master’s degree in directing and film studies from the University of Sydney. She is considered the first female Saudi Arabian filmmaker, and her feature film Wadjda was the first international film ever to be shot in Saudi Arabia. Invited to over 40 festivals worldwide, Wadjda garnered numerous awards, including in Venice, Rotterdam, and Dubai.
Wagner Moura is a Brazilian stage, film, and television star. His performance in Elite Squad (2007) put him on the world stage when the film won the Golden Bear at the Berlin International Film Festival. He recently starred as Pablo Escobar in Netflix’s critically acclaimed series Narcos, garnering both the show and him Golden Globe nominations. He made his directorial debut in 2019 with Marighella. He currently works with the UN to end forced labor.
Born in Florence, Italy, Alba Rohrwacher studied acting at the Centro Sperimentale di Cinematografia in Rome and gained recognition for her award-winning collaborations with Luca Guadagnino (I Am Love); Marco Bellocchio (Dormant Beauty, Blood of My Blood); Laura Bispuri (Daughter of Mine); Saverio Costanzo (Hungry Hearts, The Solitude of Prime Numbers); and her sister, Alice Rohrwacher (Happy as Lazzaro). Her awards for best actress include the Volpi Cup, two Nastri d’Argento, and two David di Donatello Awards.
WORLD CINEMA DOCUMENTARY JURY
Eric Hynes is curator of film at the Museum of the Moving Image in New York, where he oversees the annual First Look Festival. He is also a longtime critic and journalist and writes a column on the art of nonfiction for Film Comment magazine. Other outlets have included the New York Times, the Washington Post, Rolling Stone, Slate, New York magazine, Sight & Sound, the Village Voice, and Reverse Shot, where he has been a staff writer since 2003.
Rima Mismar is the executive director of the Arab Fund for Arts and Culture (AFAC), a grant-making organization that supports artists across the Arab region. She completed her studies at the Lebanese American University (LAU) in Beirut, before pursuing a career as a film critic. During the last decade, she has participated in festivals as a juror or a member of the selection committee, moderated panels, and written and contributed to critiques on Arab cinema.
Nanfu Wang is a Chinese filmmaker based in New York City. She directs, produces, films, and edits feature documentaries, including Hooligan Sparrow (2016 Sundance Film Festival; shortlisted for the 2017 Academy Award for Best Documentary Feature), I Am Another You (2017 SXSW Film Festival, Special Jury Award for Excellence in Documentary Storytelling), and One Child Nation (2019 Sundance Film Festival, U.S. Documentary Grand Jury Prize).
Gregg Araki earned an MFA in film production from the USC School of Cinematic Arts and a BA in film studies from UC Santa Barbara. Araki has made eleven acclaimed independent features, including Kaboom (2011), Smiley Face (2007), Mysterious Skin (2005), and Totally F***ed Up (1994). Araki most recently directed 10 episodes of Now Apocalypse (2019 Sundance Film Festival) for Starz—a series he created, co-wrote, and executive produced with Steven Soderbergh and Gregory Jacobs.
SHORT FILM JURY
Sian Clifford is an Emmy Award and Critics’ Choice Award nominated actress for her role as Claire in the global phenomenon and multi-award-winning series Fleabag. She will star in AMC’s hotly anticipated Quiz, directed by Stephen Frears, later this year, as well as in Sky’s Two Weeks To Live, alongside Maisie Williams. She will also guest feature in Hitmen, again for Sky, and in the second series of psychological thriller Liar from Fleabag producers Two Brothers Pictures, for ITV.
Marcus Hu is copresident and cofounder of Strand Releasing, which has distributed the works of such international filmmakers as Apichatpong Weerasethakul, Gregg Araki, Catherine Breillat, Lucrecia Martel, and many others. Strand Releasing celebrates its 30th anniversary with a national tour of original films created by filmmakers and friends shot on iPhones and shown at museums around the country. Hu serves as chair of international inclusion for the Academy of Motion Pictures Arts and Sciences.
Cindy Sherman has been the subject of one-person exhibitions at the National Portrait Gallery in London (2019) and the Museum of Modern Art in New York (2012). Her work has also been included in five iterations of the Whitney Biennial, two Biennales of Sydney, and the 1983 documenta exhibition. She has received such awards and honors as the Praemium Imperiale, an American Academy of Arts and Letters Award, a MacArthur Foundation Fellowship, and a Guggenheim Fellowship.
ALFRED P. SLOAN FEATURE FILM PRIZE JURY
Dr. Ruth Angus obtained her PhD in astrophysics from the University of Oxford and is an assistant curator at the American Museum of Natural History, an associate research scientist at the Flatiron Institute’s Center for Computational Astrophysics, and an adjunct professor of astrophysics at Columbia University. She studies the evolution of stars and planetary systems in the Milky Way using data from NASA’s Kepler and TESS space telescopes.
Emily Mortimer is an actress recently seen in Mary Poppins Returns. She won a Film Independent Spirit Award for Nicole Holofcener’s Lovely and Amazing and earned nominations at the Empire Awards and the Critics’ Circle Film Awards for David Mackenzie’s Young Adam. She currently runs the production company King Bee Productions with her husband, Alessandro Nivola. She produced the Film Independent Spirit Award–nominated feature To Dust and is currently writing an adaptation of Nancy Mitford’s novel The Pursuit of Love.
Jessica Oreck makes projects across mediums in an effort to re-inspire a sense of wonder about the world of the everyday. She’s made several feature films that focus on ethnobiology—the way that cultures interact with the natural world—including Beetle Queen Conquers Tokyo (2009), Aatsinki: The Story of Arctic Cowboys (2013), The Vanquishing of the Witch Baba Yaga (2014), and One Man Dies a Million Times (2019). Jessica also works in paper-based animation, creating educational content for TED and several series for forthcoming outlets.
Ainissa Ramirez, PhD, is a materials scientist and science communicator who is passionate about getting the general public excited about science. She has worked as a research scientist at Bell Labs and held academic positions at Yale University and MIT. Ramirez has written for Forbes, Time, Science, and Scientific American and has explained science headlines on CBS, CNN, NPR, and PBS’s SciTech Now. Her book The Alchemy of Us uncovers how tech shaped us and will be published in April 2020.
Michael Tyburski is a director and screenwriter. His work has been featured by the New Yorker, Film Comment, IndieWire, and Filmmaker magazine. His short film Palimpsest won a Special Jury Prize at the 2013 Sundance Film Festival. He received both a grant and lab support from the Alfred P. Sloan Foundation, is a recipient of the SFFILM Dolby Institute Fellowship, and was selected for Sundance Institute’s Film Music and Sound Design Lab. His debut feature, The Sound of Silence, premiered at the 2019 Festival.
Quentin Tarantino says he has written and will direct five half-hour episodes of ‘Bounty Law’
Once Upon a Time in Hollywood director Quentin Tarantino has confirmed that he’s bringing full five episodes of Bounty Law — the fictional Western series starring Leonardo DiCaprio‘s Rick Dalton — to the small screen.
During a recent interview with Deadline, the Oscar-winning filmmaker said that he will be directing five half-hour episodes of the show that have already been written, though it might be a while before we actually get to see them.
“It will take me a year and a half,” Tarantino said. “[Bounty Law] got an introduction from Once Upon a Tim in Hollywood, but I don’t really consider it part of that movie even though it is. This is not about Rick Dalton playing Jake Cahill. It’s about Jake Cahill.”
As for his inspiration for Bounty Law, Tarantino added: “Where all this came from was, I ended up watching a bunch of Wanted, Dead or Alive, and The Rifleman, and Tales of Wells Fargo, these half-hour shows to get in the mindset of Bounty Law, the kind of show Rick was on. I’d liked them before, but I got really into them.”
Whether or not DiCaprio will reprise his role as Rick Dalton for Bounty Law remains to be seen, but I can’t imagine why he wouldn’t. After all, Dalton is the star of the show and it really wouldn’t be the same without his involvement.
‘The Lovebirds’ trailer finds Kumail Nanjiani and Issa Rae trying to solve a bizarre murder case
“Every happy couple has one moment that defines their relationship,” is the tagline for The Lovebirds, the upcoming rom-com starring Kumail Nanjiani and Issa Rae which is set to have its world premiere at SXSW in March.
For Jibran (Nanjiani) and Leilani (Rae), that moment seems to be when they realize they’ve been caught up in a bizarre murder mystery and need to work to clear their names and solve the crime before the night is over.
The film, which was written by Aaron Abrams and Brendan Gall, reunites Nanjiani with The Big Sick director Michael Showalter and also stars Paul Sparks, Anna Camp, and Kyle Bornheimer.
If Steve Carell and Tina Fey in Date Night was your kind of thing, it appears The Lovebirds will be right up your alley as well. I mean, who can resist a little crime-infused romantic comedy?
The Lovebirds hits theaters April 3.
Wes Anderson’s new film ‘The French Dispatch’ is nowhere close to being four-hours-long
Contrary to what you may have heard from some of the brain geniuses of Film Twitter™ this morning, Wes Anderson‘s highly anticipated new film The French Dispatch will, unfortunately, not be four-hours-long.
That’s the official confirmation from distributor Fox Searchlight, who issued a statement to The Film Stage saying that the film’s runtime is actually a breezy one hour and 48 minutes.
Rob Trench was quick to point out that whoever made the update “literally just copied and pasted the versions of Lars von Trier’s Nymphomaniac,” which certainly appears to be the case here. Have a look for yourself:
The person who added The French Dispatch runtimes to IMDb literally just copied and pasted the versions of Lars von Trier’s Nymphomaniac pic.twitter.com/9LZQ5wGcac
— rob trench (@robtrench) January 15, 2020
However, that didn’t stop multiple different outlets from running with the story, including The Playlist, Paste, NME, as well as a few others who have since corrected their original stories following the official word from Fox Searchlight.
The lesson to be learned from all of this, folks, is that you should always take whatever you see on IMDb with a grain of salt — like Wikipedia, anyone can update and make changes to it — and ” film journalists” should probably try doing their jobs and researching shit before reporting blatantly false information.